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- Random Discrete Colour Sampling (3 Links)
 - How Self-Similar are Artworks at Different Levels of Spatial Resolution? (3 Links)
 - A novel evolutionary approach for optimizing content-based image indexing algorithms (3 Links)
 - Abstract Art from a Model for Cellular Morphogenesis (3 Links)
 - Christoph Klemmt (3 Links)
 - Identity SA – an Interactive Swarm-based Animation with a Deformed Reflection (3 Links)
 - Non-stop Evolutionary Art You are Embedded in (3 Links)
 - Leonardo Vanneschi (3 Links)
 - Revising the evolutionary computation abstraction: minimal criteria novelty search (3 Links)
 - Adding Lighting and Viewing Effects to Digital Images (3 Links)
 - Colm O’Riordan (3 Links)
 - Aesthetic Appraisal of Art - from Eye Movements to Computers (3 Links)
 - Aesthetic Video Filter Evolution in an Interactive Real-Time Framework (3 Links)
 - Images from Self-Occlusion (3 Links)
 - Complexism and the Role of Evolutionary Art (3 Links)
 - Benford's Law for Natural and Synthetic Images (3 Links)
 - Implicit fitness functions for evolving a drawing robot (3 Links)
 - Composition Principles for Quality Depiction and Aesthetics (3 Links)
 - Target Curves for Pick-up, Carry, and Drop Mobile Automata (3 Links)
 - Duotone Surfaces (3 Links)
 - What is generative art? complexity theory as a context for art theory (3 Links)
 - Partially interactive evolutionary artists (3 Links)
 - Evolving the shape of things to come: A comparison of direct manipulation and interactive evolutionary design (3 Links)
 - Zipf’s law, music classification and aesthetics (3 Links)
 - Fast Visualisation and Interactive Design of Deterministic Fractals (3 Links)
 - Feature selection based on genetic algorithm for CBIR (3 Links)
 - Bradley Alexander (3 Links)
 - A Shape Grammar Study: Form Generation with Geometric Islamic Patterns (3 Links)
 - Supervised Genetic Search for Parameter Selection in Painterly Rendering (3 Links)
 - ArtiE-Fract: The Artist’s Viewpoint (3 Links)
 - Thoughts on Computational Creativity Position (3 Links)
 - Kyrre Glette (3 Links)
 - New directions for evolving expressions (3 Links)
 - Celtic Knots Colorization based on Color Harmony Principles (3 Links)
 - Nina Rask (3 Links)
 - Learning How to Reinterpret Creative Problems (3 Links)
 - Automated Daily Production of Evolutionary Audio Visual Art — An Experimental Practice (3 Links)
 - Abstract Overlays using a Transport Network Model (3 Links)
 - Evolutionary L-systems (3 Links)
 - Accurate and Discernible Photocollages (3 Links)
 - David Glowacki (3 Links)
 - Adaptation of an Autonomous Creative Evolutionary System for Real-World Design Application Based on Creative Cognition (3 Links)
 - Line Drawings vs. Curvature Shading: Scientific Illustration of Range Scanned Artefacts (3 Links)
 - ColourVis: Exploring Colour Usage in Paintings Over Time (3 Links)
 - Magnetism and Minimal Surfaces - a Different Tool for Surface Design (3 Links)
 - On the development of evolutionary artificial artists (3 Links)
 - Complexity, Neuroaesthetics, and Computational Aesthetic Evaluation (3 Links)
 - Generative Art after Computers + artwork: TSP Analytics: solver (3 Links)
 - Genetic-based approaches in ranking function discovery and optimization in information retrieval – a framework (3 Links)
 - Informational Dialogue with Van Gogh's Paintings (3 Links)
 
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