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  1. EvoMUSART 2008‏‎ (8 Links)
  2. Amilcar Cardoso‏‎ (8 Links)
  3. Christian Jacob‏‎ (8 Links)
  4. Generative Art 2005‏‎ (8 Links)
  5. Joao Correia‏‎ (8 Links)
  6. David Augustus Hart‏‎ (8 Links)
  7. Paul Brown‏‎ (8 Links)
  8. Artificial evolution for computer graphics‏‎ (7 Links)
  9. Exploring a Design Space for Patterns and Tilings Competition 2015‏‎ (7 Links)
  10. Martin Hemberg‏‎ (7 Links)
  11. Michael O’Neill‏‎ (7 Links)
  12. Expression-Based Evolution of Faces‏‎ (7 Links)
  13. Bridges 2004‏‎ (7 Links)
  14. Jürgen Schmidhuber‏‎ (7 Links)
  15. Craig Reynolds‏‎ (7 Links)
  16. Filipe Assunção‏‎ (7 Links)
  17. Rick Parent‏‎ (7 Links)
  18. Alice Eldridge‏‎ (7 Links)
  19. Evolving Figurative Images Using Expression-Based Evolutionary Art‏‎ (7 Links)
  20. EvoMUSART 2009‏‎ (7 Links)
  21. Karl Sims‏‎ (7 Links)
  22. Hugo Amaro‏‎ (7 Links)
  23. Colin G. Johnson‏‎ (7 Links)
  24. Maarten H. Lamers‏‎ (7 Links)
  25. Generative Art 2008‏‎ (7 Links)
  26. Walter Daelemans‏‎ (6 Links)
  27. Benjamin Jefferys‏‎ (6 Links)
  28. Frederic Fol Leymarie‏‎ (6 Links)
  29. Anikó Ekárt‏‎ (6 Links)
  30. Vic Ciesielski‏‎ (6 Links)
  31. EvoMUSART 2014‏‎ (6 Links)
  32. Sebastian Von Mammen‏‎ (6 Links)
  33. Dan Costelloe‏‎ (6 Links)
  34. Evolutionary Visual Art and Design‏‎ (6 Links)
  35. Michael Young‏‎ (6 Links)
  36. Generative Art 2011‏‎ (6 Links)
  37. Computational Aesthetics 2006‏‎ (6 Links)
  38. Jon Bird‏‎ (6 Links)
  39. Experiments in Computational Aesthetics‏‎ (6 Links)
  40. Fernando Graca‏‎ (6 Links)
  41. Yang Li‏‎ (6 Links)
  42. Evolutionary Art and Computers‏‎ (6 Links)
  43. Interactive evolutionary computation: Fusion of the capabilities of EC optimization and human evaluation‏‎ (6 Links)
  44. Generative Art 2012‏‎ (6 Links)
  45. Picbreeder: A case study in collaborative evolutionary exploration of design space‏‎ (6 Links)
  46. Ernesto Costa‏‎ (6 Links)
  47. Wettbewerbe zur Evolutionären Kunst‏‎ (6 Links)
  48. Maria Luisa Santos‏‎ (6 Links)
  49. Digitale Kunst‏‎ (6 Links)
  50. Computational Aesthetics 2008‏‎ (6 Links)
  51. Miguel Nicolau‏‎ (6 Links)
  52. Lawrence Kelley‏‎ (6 Links)
  53. Graph-Based Evolution of Visual Languages‏‎ (6 Links)
  54. Olga Osorio‏‎ (6 Links)
  55. Miki Shaw‏‎ (6 Links)
  56. Generative Art 1999‏‎ (6 Links)
  57. Antonio Santos‏‎ (6 Links)
  58. Jeffrey Ventrella‏‎ (6 Links)
  59. Kate Reed‏‎ (6 Links)
  60. EvoMUSART 2011‏‎ (6 Links)
  61. Evolutionäre Kunst‏‎ (6 Links)
  62. A Step Towards the Evolution of Visual Languages‏‎ (5 Links)
  63. Robert Zimmer‏‎ (5 Links)
  64. Computational Aesthetics 2012‏‎ (5 Links)
  65. John Mark Bishop‏‎ (5 Links)
  66. Kazjon Grace‏‎ (5 Links)
  67. Craig Neufeld‏‎ (5 Links)
  68. Sebastian Risi‏‎ (5 Links)
  69. Perry Barile‏‎ (5 Links)
  70. Mohammad Ali Javaheri Javid‏‎ (5 Links)
  71. Steven Rooke‏‎ (5 Links)
  72. Estanislao Sanmartín‏‎ (5 Links)
  73. Pedro H. Abreu‏‎ (5 Links)
  74. Bridges 1998‏‎ (5 Links)
  75. Evelyne Lutton‏‎ (5 Links)
  76. EvoMUSART 2007‏‎ (5 Links)
  77. Peter Nordin‏‎ (5 Links)
  78. Facing the Future: Evolutionary Possibilities for Human-Machine Creativity‏‎ (5 Links)
  79. Bridges 1999‏‎ (5 Links)
  80. William Ralph‏‎ (5 Links)
  81. Generative Art 2013‏‎ (5 Links)
  82. Elizabeth Shotton‏‎ (5 Links)
  83. Generative Art 1998‏‎ (5 Links)
  84. Jonathan Chapuis‏‎ (5 Links)
  85. Gerald Hushlak‏‎ (5 Links)
  86. Michael Fenton‏‎ (5 Links)
  87. Emmanuel Cayla‏‎ (5 Links)
  88. Robert W. J. Flack‏‎ (5 Links)
  89. EvoMUSART 2003‏‎ (5 Links)
  90. Ciaran McNally‏‎ (5 Links)
  91. Paul Nemirovsky‏‎ (5 Links)
  92. Computational Aesthetic Evaluation: Past and Future‏‎ (4 Links)
  93. Evolving the Mandelbrot Set to Imitate Figurative Art‏‎ (4 Links)
  94. Katrin Jonas‏‎ (4 Links)
  95. Kil-Sang Yoo‏‎ (4 Links)
  96. Aesthetic Classification and Sorting Based on Image Compression‏‎ (4 Links)
  97. Ludivine Lechat‏‎ (4 Links)
  98. On the Development of Critics in Evolutionary Computation Artists‏‎ (4 Links)
  99. Brooke Jamieson‏‎ (4 Links)
  100. The Art of Artificial Evolution - book preface‏‎ (4 Links)
  101. On the Socialization of Evolutionary Art‏‎ (4 Links)
  102. David W. Corne‏‎ (4 Links)
  103. Defining Computational Aesthetics‏‎ (4 Links)
  104. Divya Sharma‏‎ (4 Links)
  105. Steven Fuchs‏‎ (4 Links)
  106. Jônatas Manzolli‏‎ (4 Links)
  107. Henrik Hautop Lund‏‎ (4 Links)
  108. Computing aesthetics with image judgement systems‏‎ (4 Links)
  109. Nils Svangard‏‎ (4 Links)
  110. Using DNA to generate 3D organic art forms‏‎ (4 Links)
  111. Achim Menges‏‎ (4 Links)
  112. Adriano Vinhas‏‎ (4 Links)
  113. Nuno A. C. Henriques‏‎ (4 Links)
  114. Robot Paintings Evolved Using Simulated Robots‏‎ (4 Links)
  115. Visual deformation by swarm – a technique for virtual liquidization of objects + Visual Liquidizer or Virtual Merge‏‎ (4 Links)
  116. Maciej Troc‏‎ (4 Links)
  117. Alejandro Pazos‏‎ (4 Links)
  118. Martin Perris‏‎ (4 Links)
  119. Oscar Sanjuan‏‎ (4 Links)
  120. Chang-Jun Hu‏‎ (4 Links)
  121. Mauro Annunziato‏‎ (4 Links)
  122. A. K. Qin‏‎ (4 Links)
  123. Inverse Mapping with Sensitivity Analysis for Partial Selection in Interactive Evolution‏‎ (4 Links)
  124. Peter M. Hall‏‎ (4 Links)
  125. Phil Husbands‏‎ (4 Links)
  126. A Palette-Driven Approach to Image Color Transfer‏‎ (4 Links)
  127. Stayko Chalakov‏‎ (4 Links)
  128. Jae C. Oh‏‎ (4 Links)
  129. Computational Aesthetics 2005‏‎ (4 Links)
  130. Jingyuan Hu‏‎ (4 Links)
  131. Joyce Wong‏‎ (4 Links)
  132. Toward Greater Artistic Control for Interactive Evolution of Images and Animation‏‎ (4 Links)
  133. Evolving three-dimensional objects with a generative encoding inspired by developmental biology‏‎ (4 Links)
  134. Graham Wakefield‏‎ (4 Links)
  135. Leonardo Trujillo‏‎ (4 Links)
  136. Adaptive Critics for Evolutionary Artists‏‎ (4 Links)
  137. Nuno Correia‏‎ (4 Links)
  138. Aesthetic Evolution of L-Systems Revisited‏‎ (4 Links)
  139. Rocio von Jungenfeld‏‎ (4 Links)
  140. EvoMUSART 2006‏‎ (4 Links)
  141. Creative ecosystems‏‎ (4 Links)
  142. Yago Saez‏‎ (4 Links)
  143. The Problem with Evolutionary Art Is‏‎ (4 Links)
  144. Mitchell Whitelaw‏‎ (4 Links)
  145. Jinhong Zhang‏‎ (4 Links)
  146. Genetic algorithm-based relevance feedback for image retrieval using local similarity patterns‏‎ (4 Links)
  147. Kelly Moylan‏‎ (4 Links)
  148. Tristan Basa‏‎ (4 Links)
  149. Conceptualizing Birkhoff's Aesthetic Measure Using Shannon Entropy and Kolmogorov Complexity‏‎ (4 Links)
  150. Vignesh Kaushik‏‎ (4 Links)
  151. Luigi Pagliarini‏‎ (4 Links)
  152. Francisco Fernández De Vega‏‎ (4 Links)
  153. Mathematical building blocks for evolving expressions‏‎ (4 Links)
  154. Chao Liu‏‎ (4 Links)
  155. Daniel Ashlock‏‎ (4 Links)
  156. Christian Anthony Go‏‎ (4 Links)
  157. Michel Gonçalves‏‎ (4 Links)
  158. Pedro Isasi‏‎ (4 Links)
  159. The design of high-level features for photo quality assessment‏‎ (4 Links)
  160. A Platform for Evolving Controllers for Simulated Drawing Robots‏‎ (4 Links)
  161. Computational Aesthetics 2007‏‎ (4 Links)
  162. Duncan F. Gillies‏‎ (4 Links)
  163. Juan Julián Merelo Guervós‏‎ (4 Links)
  164. Towards the Development of Artificial Art Critics‏‎ (4 Links)
  165. GenoTyp, an experiment about genetic typography‏‎ (4 Links)
  166. Arty Shapes‏‎ (4 Links)
  167. Bill Bigge‏‎ (4 Links)
  168. Azalea Raad‏‎ (4 Links)
  169. Luz Castro‏‎ (4 Links)
  170. Dave Murray-Rust‏‎ (4 Links)
  171. An IEC-based support system for font design‏‎ (4 Links)
  172. Miguel Frade‏‎ (4 Links)
  173. An improved interactive genetic algorithm incorporating relevant feedback‏‎ (4 Links)
  174. Janis Jefferies‏‎ (4 Links)
  175. NEvAr – the assessment of an evolutionary art tool‏‎ (4 Links)
  176. Tom De Smedt‏‎ (4 Links)
  177. A human-oriented image retrieval system using interactive genetic algorithm‏‎ (4 Links)
  178. Ashley Mills‏‎ (4 Links)
  179. Computers and Creativity‏‎ (4 Links)
  180. Exploring the Effect of Color Palette in Painterly Rendered Character Sequences‏‎ (4 Links)
  181. Luís Correia‏‎ (4 Links)
  182. Maria Verstappen‏‎ (4 Links)
  183. Carlos Cotta‏‎ (4 Links)
  184. Wim van Eck‏‎ (4 Links)
  185. The Electric Sheep Screen-Saver: A Case Study in Aesthetic Evolution‏‎ (4 Links)
  186. All the truth about NEvAr‏‎ (4 Links)
  187. Charlie D. Frowd‏‎ (4 Links)
  188. Michael Cook‏‎ (4 Links)
  189. Patrick Janssen‏‎ (4 Links)
  190. Designing Metrics for the Purpose of Aesthetically Evaluating‏‎ (4 Links)
  191. Pedro Torres‏‎ (4 Links)
  192. Comparing Aesthetic Measures for Evolutionary Art‏‎ (4 Links)
  193. Peter van der Putten‏‎ (4 Links)
  194. Javier Segovia‏‎ (4 Links)
  195. Computational Aesthetics 2009‏‎ (4 Links)
  196. Joe Faith‏‎ (4 Links)
  197. Eirini Vouliouri‏‎ (4 Links)
  198. Gunnar Tufte‏‎ (4 Links)
  199. Hans E. Dehlinger‏‎ (4 Links)
  200. Evotype: Evolutionary Type Design‏‎ (4 Links)
  201. Una-May O'Reilly‏‎ (4 Links)
  202. Rasmus Taarnby‏‎ (4 Links)
  203. Rebeca Perez‏‎ (4 Links)
  204. Finding Image Features Associated with High Aesthetic Value by Machine Learning‏‎ (4 Links)
  205. Liraz Mor‏‎ (4 Links)
  206. Teresa Chambel‏‎ (4 Links)
  207. Mario García Valdez‏‎ (4 Links)
  208. Won-Hyung Lee‏‎ (4 Links)
  209. Allan Campbell‏‎ (4 Links)
  210. Peter J. B. Hancock‏‎ (4 Links)
  211. Distance-based relevance feedback using a hybrid interactive genetic algorithm for image retrieval‏‎ (4 Links)
  212. Piero Pierucci‏‎ (4 Links)
  213. Computational Aesthetics 2010‏‎ (4 Links)
  214. Edward Zajec‏‎ (4 Links)
  215. Gustavo Olague‏‎ (4 Links)
  216. Haru (Hyunkyung) Ji‏‎ (4 Links)
  217. Erwin Driessens‏‎ (4 Links)
  218. Feature Selection and Novelty in Computational Aesthetics‏‎ (4 Links)
  219. Espen Gangvik‏‎ (4 Links)
  220. Olgierd Unold‏‎ (4 Links)
  221. Evaluation of Creative Aesthetics‏‎ (4 Links)
  222. Visual Liquidizer or Virtual Merge‏‎ (4 Links)
  223. Flocks, herds, schools. A distributed behavioural model‏‎ (4 Links)
  224. Marsha Berry‏‎ (4 Links)
  225. Daryl D'Souza‏‎ (4 Links)
  226. Shahrul Badariah Mat Sah‏‎ (4 Links)
  227. Colin Johnson‏‎ (4 Links)
  228. Ming Chen‏‎ (4 Links)
  229. Andy Webster‏‎ (4 Links)
  230. Peter J. Bentley‏‎ (4 Links)
  231. Distinctive Parameters of Expressive Motion‏‎ (3 Links)
  232. Jerome Sheahan‏‎ (3 Links)
  233. Computational Aesthetics 2011‏‎ (3 Links)
  234. Studying aesthetics in photographic images using a computational approach‏‎ (3 Links)
  235. Power to the critics — A framework for the development of artificial art critics‏‎ (3 Links)
  236. Suggestive Hatching‏‎ (3 Links)
  237. Toward Auvers Period: Evolution of van Gogh's Style‏‎ (3 Links)
  238. Procedural Texture Evolution Using Multiobjective Optimization‏‎ (3 Links)
  239. Enhancing Perceived Depth in Images Via Artistic Matting‏‎ (3 Links)
  240. Random Discrete Colour Sampling‏‎ (3 Links)
  241. Computing aesthetics‏‎ (3 Links)
  242. Automated Daily Production of Evolutionary Audio Visual Art — An Experimental Practice‏‎ (3 Links)
  243. Abstract Overlays using a Transport Network Model‏‎ (3 Links)
  244. Nicolas Monmarche‏‎ (3 Links)
  245. Accurate and Discernible Photocollages‏‎ (3 Links)
  246. Fast Techniques for Mosaic Rendering‏‎ (3 Links)
  247. Regularity and Randomness in Bridget Riley's early Op Art‏‎ (3 Links)
  248. Adaptation of an Autonomous Creative Evolutionary System for Real-World Design Application Based on Creative Cognition‏‎ (3 Links)
  249. Feature selection based-on genetic algorithm for image annotation‏‎ (3 Links)
  250. Fitness functions for ant colony paintings‏‎ (3 Links)

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