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Unten werden bis zu 100 Ergebnisse im Bereich 501 bis 600 angezeigt.

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  1. Alessandro Re‏‎ (3 Links)
  2. Computational aesthetics based on gaze patterns‏‎ (3 Links)
  3. Sketch Based Construction and Rendering of Implicit Models‏‎ (3 Links)
  4. Pedro Martins‏‎ (3 Links)
  5. Mohamed Slimane‏‎ (3 Links)
  6. Extracting the Essence from Sets of Images‏‎ (3 Links)
  7. A Breeding Tool for Abstract Animations and Its Applications‏‎ (3 Links)
  8. An Information-Theoretic Framework for Image Complexity‏‎ (3 Links)
  9. Jerome Sheahan‏‎ (3 Links)
  10. Contrast Brushes: Interactive Image Enhancement by Direct Manipulation‏‎ (3 Links)
  11. A Local Search Interface for Interactive Evolutionary Architectural Design‏‎ (3 Links)
  12. Josh Bongard‏‎ (3 Links)
  13. What is Complexism? Generative Art and the Cultures of Science and the Humanities‏‎ (3 Links)
  14. How Did Humans Become So Creative? A Computational Approach‏‎ (3 Links)
  15. Rapid: Rating pictorial aesthetics using deep learning‏‎ (3 Links)
  16. Catarina Maçãs‏‎ (3 Links)
  17. Realtime Aesthetic Image Retargeting‏‎ (3 Links)
  18. Learning about Shadows from Artists‏‎ (3 Links)
  19. Artificial life or surreal art?‏‎ (3 Links)
  20. Life's What You Make: Niche Construction and Evolutionary Art‏‎ (3 Links)
  21. Co-evolutionary Methods in Evolutionary Art‏‎ (3 Links)
  22. On Generating Dot Paintings in the Style of Howard Arkley‏‎ (3 Links)
  23. Abandoning objectives: Evolution through the search for novelty alone‏‎ (3 Links)
  24. Evolved diffusion limited aggregation compositions‏‎ (3 Links)
  25. Malik Nairat‏‎ (3 Links)
  26. On understanding the search problem for image spaces‏‎ (3 Links)
  27. Composite Digital Mosaics using Duotone Tiles‏‎ (3 Links)
  28. Improving Scans of Black and White photographs by Recovering the Print Maker's Artistic Intent‏‎ (3 Links)
  29. Evolving Pop Art Using Scalable Vector Graphics‏‎ (3 Links)
  30. Serial Polar Transformation Motifs Revisited‏‎ (3 Links)
  31. Interactive Evolution of Equations for Procedural Models‏‎ (3 Links)
  32. Aesthetics of Hand-Drawn vs. Computer-Generated Stippling‏‎ (3 Links)
  33. Computational Game Creativity‏‎ (3 Links)
  34. Genr8: Architects’ Experience with an Emergent Design Tool‏‎ (3 Links)
  35. Sketches by Paul the Robot‏‎ (3 Links)
  36. Miri Weiss Cohen‏‎ (3 Links)
  37. Interpretation-driven Visual Association‏‎ (3 Links)
  38. Phillip Tew‏‎ (3 Links)
  39. A Case Study from the Point of View of Aesthetics: A Dialogue Between an Artist and a Computer Scientist‏‎ (3 Links)
  40. Graph-based evolutionary art‏‎ (3 Links)
  41. Pictorial Analysis of Line-drawings‏‎ (3 Links)
  42. Guest editors’ introduction, Special Issue: Mathematical Models used in Aesthetic Evaluation‏‎ (3 Links)
  43. Jim Smith‏‎ (3 Links)
  44. Andrew Bishop‏‎ (3 Links)
  45. Animating Persian Floral Patterns‏‎ (3 Links)
  46. Procedural Generation of Surface Detail for Science Fiction Spaceships‏‎ (3 Links)
  47. Foundations of Generative Art Systems - a hybrid survey and studio class for graduate students‏‎ (3 Links)
  48. What is Emergence? Generative Murals as Experiments in the Philosophy of Complexity‏‎ (3 Links)
  49. A SHAPE GRAMMAR MODEL TO GENERATE ISLAMIC GEOMETRIC PATTERN‏‎ (3 Links)
  50. Evolution and Collective Intelligence of the Electric Sheep‏‎ (3 Links)
  51. Rajat Sodhi‏‎ (3 Links)
  52. How Self-Similar are Artworks at Different Levels of Spatial Resolution?‏‎ (3 Links)
  53. Evolutionary Image Synthesis Using a Model of Aesthetics‏‎ (3 Links)
  54. Evolutionary Search for the Artistic Rendering of Photographs‏‎ (3 Links)
  55. The aMotion Toolkit: Painting with Affective Motion Textures‏‎ (3 Links)
  56. Generation and evaluation of artworks‏‎ (3 Links)
  57. SBArt4 as Automatic Art and Live Performance Tool‏‎ (3 Links)
  58. Evolutionary pointillist modules: evolving assemblages of 3D objects‏‎ (3 Links)
  59. Luigi C. Barone‏‎ (3 Links)
  60. Color dependent computational aesthetics for evolving expressions‏‎ (3 Links)
  61. Combining Structural Analysis and Multi-Objective Criteria for Evolutionary Architectural Design‏‎ (3 Links)
  62. Composite diffusion limited aggregation paintings‏‎ (3 Links)
  63. Double Meandering Algorithm‏‎ (3 Links)
  64. Mauro Castelli‏‎ (3 Links)
  65. Toward Auvers Period: Evolution of van Gogh's Style‏‎ (3 Links)
  66. An Interface for Fitness Function Design‏‎ (3 Links)
  67. Fast Techniques for Mosaic Rendering‏‎ (3 Links)
  68. Stipple Placement using Distance in a Weighted Graph‏‎ (3 Links)
  69. Feature selection based-on genetic algorithm for image annotation‏‎ (3 Links)
  70. Fitness functions for ant colony paintings‏‎ (3 Links)
  71. Procedural Shading for Architecture: Adoption, Fabrication, and Implications‏‎ (3 Links)
  72. The Digital Clockwork Muse: A Computational Model of Aesthetic Evolution‏‎ (3 Links)
  73. Ramakrishnan Mukundan‏‎ (3 Links)
  74. Kyrre Glette‏‎ (3 Links)
  75. New Methods to Project Panoramas for Practical and Aesthetic Purposes‏‎ (3 Links)
  76. Zbigniew Michalewicz‏‎ (3 Links)
  77. Artificial Immune System Based Art‏‎ (3 Links)
  78. A generative remixing of music tracks based on an interactive swarm‏‎ (3 Links)
  79. Christoph Klemmt‏‎ (3 Links)
  80. Identity SA – an Interactive Swarm-based Animation with a Deformed Reflection‏‎ (3 Links)
  81. Artistic Canvases for Gestural and Non-linear Typography‏‎ (3 Links)
  82. Leonardo Vanneschi‏‎ (3 Links)
  83. Colm O’Riordan‏‎ (3 Links)
  84. Images from Self-Occlusion‏‎ (3 Links)
  85. Complexism and the Role of Evolutionary Art‏‎ (3 Links)
  86. The void series – generative art using regulatory genes‏‎ (3 Links)
  87. Implicit fitness functions for evolving a drawing robot‏‎ (3 Links)
  88. Adaptive image retrieval through the use of a genetic algorithm‏‎ (3 Links)
  89. Composition Principles for Quality Depiction and Aesthetics‏‎ (3 Links)
  90. Aesthetic 3D Model Evolution‏‎ (3 Links)
  91. Duotone Surfaces‏‎ (3 Links)
  92. Aesthetic Measures for Evolutionary Vase Design‏‎ (3 Links)
  93. Towards automated artificial evolution for computer-generated images‏‎ (3 Links)
  94. Evolving the shape of things to come: A comparison of direct manipulation and interactive evolutionary design‏‎ (3 Links)
  95. Simulating artist and critic dynamics - an agent-based application of an evolutionary art system‏‎ (3 Links)
  96. Perceptual and Computational Categories in Art‏‎ (3 Links)
  97. Swarms on Stage – Swarm Simulations for Dance Performance‏‎ (3 Links)
  98. Symmetry Hybrids‏‎ (3 Links)
  99. Using complexity estimates in aesthetic image classification‏‎ (3 Links)
  100. Fast Visualisation and Interactive Design of Deterministic Fractals‏‎ (3 Links)

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