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  1. Learning Preference Models in Recommender Systems‏‎ (2 Bearbeitungen)
  2. Taitographs: Drawings made by Machines‏‎ (2 Bearbeitungen)
  3. Art-directed Watercolor Rendered Animation‏‎ (2 Bearbeitungen)
  4. Pied de Pulse: Packing Embroidered Circles and Coil Actuators in Pied de Poule (Houndstooth)‏‎ (2 Bearbeitungen)
  5. Automated Collage Generation - With More Intent 2011‏‎ (2 Bearbeitungen)
  6. Guest editors’ introduction, Special Issue: Mathematical Models used in Aesthetic Evaluation‏‎ (2 Bearbeitungen)
  7. A Survey and Empirical Comparison of Object Ranking Methods‏‎ (2 Bearbeitungen)
  8. The Monumental Geometry of E Pluribus Unum‏‎ (2 Bearbeitungen)
  9. Automatic learning of multiple extended Boolean queries by multiobjective GA-P algorithms‏‎ (2 Bearbeitungen)
  10. Representational Random Walks‏‎ (2 Bearbeitungen)
  11. Image classification: an evolutionary approach‏‎ (2 Bearbeitungen)
  12. Fractal Analogies: Preliminary Results from the Raven's Test of Intelligence‏‎ (2 Bearbeitungen)
  13. COMPLEXITY AND AESTHETIC PREFERENCE FOR DIVERSE VISUAL STIMULI‏‎ (2 Bearbeitungen)
  14. Computational Creativity Theory: The FACE and IDEA Descriptive Models‏‎ (2 Bearbeitungen)
  15. Collaborative Preference Learning‏‎ (2 Bearbeitungen)
  16. Generative Art: Fuzzy Polygon Clipping in Program Generated Line Oriented Drawings‏‎ (2 Bearbeitungen)
  17. Turing-like Patterns from Cellular Automata‏‎ (2 Bearbeitungen)
  18. Polyhedral Tableaux‏‎ (2 Bearbeitungen)
  19. The Evolution of Fun: Automatic Level Design Through Challenge Modeling‏‎ (2 Bearbeitungen)
  20. Real-World Tessellations‏‎ (2 Bearbeitungen)
  21. Drawing as transformation: From Primary Geometry to Secondary Geometry‏‎ (2 Bearbeitungen)
  22. Ideas and Tools in Material Space - an extended spatial model of creativity‏‎ (2 Bearbeitungen)
  23. A review of content-based image retrieval systems in medical applications – clinical benefits and future directions‏‎ (2 Bearbeitungen)
  24. New directions for evolving expressions‏‎ (2 Bearbeitungen)
  25. Computational and Collective Creativity: Who’s Being Creative?‏‎ (2 Bearbeitungen)
  26. Interaction Evaluation for Human-Computer Co-creativity: A Case Study‏‎ (2 Bearbeitungen)
  27. Strategies for creating new informational primitives in minds and machines‏‎ (2 Bearbeitungen)
  28. Laser-Cut Plywood and Cable-Tie Sculptures‏‎ (2 Bearbeitungen)
  29. Genetic Improvisation Model A Framework for Real-Time Performance Environments‏‎ (2 Bearbeitungen)
  30. The Aesthetics of the Underworld‏‎ (2 Bearbeitungen)
  31. The Art of Self-Assembly: the Self-Assemby of Art‏‎ (2 Bearbeitungen)
  32. Assessing creativity: The importance of unexpected novelty‏‎ (2 Bearbeitungen)
  33. Prospects for a cognitive neuroscience of visual aesthetics‏‎ (2 Bearbeitungen)
  34. A Rogue Dream: Web-Driven Theme Generation for Games‏‎ (2 Bearbeitungen)
  35. Fitness functions for ant colony paintings‏‎ (2 Bearbeitungen)
  36. Brush Stroke Ordering Techniques for Painterly Rendering‏‎ (2 Bearbeitungen)
  37. Aesthetic Placement of Points Using Generalized Lloyd Relaxation‏‎ (2 Bearbeitungen)
  38. Frayed Cell Diagrams‏‎ (2 Bearbeitungen)
  39. Classification Strategies for Image Classification in Genetic Programming‏‎ (2 Bearbeitungen)
  40. Spirograph inspired visualization of ecological networks‏‎ (2 Bearbeitungen)
  41. Towards creative evolutionary systems with interactive genetic algorithm‏‎ (2 Bearbeitungen)
  42. Supervised Genetic Search for Parameter Selection in Painterly Rendering‏‎ (2 Bearbeitungen)
  43. 3D Geological Modeling using Sketches and Annotations from Geologic Maps‏‎ (2 Bearbeitungen)
  44. Evolving Figurative Images Using Expression-Based Evolutionary Art‏‎ (2 Bearbeitungen)
  45. Creative Search Trajectories and their Implications‏‎ (2 Bearbeitungen)
  46. Learning SVM Ranking Functions from User Feedback Using Document Metadata and Active Learning in the Biomedical Domain‏‎ (2 Bearbeitungen)
  47. Taking a Point for a Walk: Pattern Formation with Self-Interacting Curves‏‎ (2 Bearbeitungen)
  48. Planes and Frames: Spatial Layering in Josef Albers' Homage to the Square Paintings‏‎ (2 Bearbeitungen)
  49. Visualization of Four-Dimensional Spacetimes‏‎ (2 Bearbeitungen)
  50. Guided Exploration of Physically Valid Shapes for Furniture Design‏‎ (2 Bearbeitungen)
  51. Quilting the Klein Quartic‏‎ (2 Bearbeitungen)
  52. Distance-based functions for image comparison‏‎ (2 Bearbeitungen)
  53. HyperRogue: Playing with Hyperbolic Geometry‏‎ (2 Bearbeitungen)
  54. A hybrid image restoration approach: Using fuzzy punctual kriging and genetic programming‏‎ (2 Bearbeitungen)
  55. Self-Avoiding Random Walks Yielding Labyrinths‏‎ (2 Bearbeitungen)
  56. Fractal Gaskets: Reptiles, Hamiltonian Cycles, and Spatial Development‏‎ (2 Bearbeitungen)
  57. Computational Creativity in Naturalistic Decision–Making‏‎ (2 Bearbeitungen)
  58. Sketch Based Construction and Rendering of Implicit Models‏‎ (2 Bearbeitungen)
  59. From Stippling to Scribbling‏‎ (2 Bearbeitungen)
  60. On Canonical Substitution Tilings‏‎ (2 Bearbeitungen)
  61. Consensual Paintings‏‎ (2 Bearbeitungen)
  62. Interactive evolutionary computation for analyzing human aware mechanism‏‎ (2 Bearbeitungen)
  63. Optimizing photo composition‏‎ (2 Bearbeitungen)
  64. Evolutionary learning of Boolean queries by multiobjective genetic programming‏‎ (2 Bearbeitungen)
  65. A Case Study from the Point of View of Aesthetics: A Dialogue Between an Artist and a Computer Scientist‏‎ (2 Bearbeitungen)
  66. Crystal Flowers in Halls of Mirrors: Mathematics Meets Art and Architecture‏‎ (2 Bearbeitungen)
  67. Gentropy: Evolutionary 2D Texture Generation‏‎ (2 Bearbeitungen)
  68. Experiments in Objet Trouve Browsing‏‎ (2 Bearbeitungen)
  69. A Novel Human-Computer Collaboration: Combining Novelty Search with Interactive Evolution‏‎ (2 Bearbeitungen)
  70. RealPigment: Paint Compositing by Example‏‎ (2 Bearbeitungen)
  71. Multi-level shape description technique‏‎ (2 Bearbeitungen)
  72. Impact of a Creativity Support Tool on Student Learning about Scientific Discovery Process‏‎ (2 Bearbeitungen)
  73. Toward Auvers Period: Evolution of van Gogh's Style‏‎ (2 Bearbeitungen)
  74. Virtual constructive swarm compositions and inspiration‏‎ (2 Bearbeitungen)
  75. A Fast Algorithm for Creating Turing-McCabe Patterns‏‎ (2 Bearbeitungen)
  76. Cut Colored Paper Sculptures of 3D Contour Plots of the Real and Imaginary Parts of Complex Functions‏‎ (2 Bearbeitungen)
  77. Local Tetra Patterns: A New Feature Descriptor for Content-Based Image Retrieval‏‎ (2 Bearbeitungen)
  78. The Analysis of the Geometric Decorations of the Stone Half-Columns of Friday Mosque of Isfahan‏‎ (2 Bearbeitungen)
  79. The Authorship of Generative Art‏‎ (2 Bearbeitungen)
  80. On the implicit and on the artificial - morphogenesis and emergent aesthetics in autonomous collective systems‏‎ (2 Bearbeitungen)
  81. Evolutionary automated recognition and characterization of an individual's artistic style‏‎ (2 Bearbeitungen)
  82. Evolving Fractal Drawings‏‎ (2 Bearbeitungen)
  83. Learning about Shadows from Artists‏‎ (2 Bearbeitungen)
  84. Taming nature: tapping the creative potential of ecosystem models in the arts‏‎ (2 Bearbeitungen)
  85. Art in global context: an evolutionary/functionalist perspective for the 21st century‏‎ (2 Bearbeitungen)
  86. Gödel, Escher, Bach: Just Another Braid‏‎ (2 Bearbeitungen)
  87. A Survey on Accelerating Evolutionary Computation Approaches‏‎ (2 Bearbeitungen)
  88. Modular Origami Halftoning: Theme and Variations‏‎ (2 Bearbeitungen)
  89. The Painting Fool Teaching Interface‏‎ (2 Bearbeitungen)
  90. Autonomous Evolutionary Art‏‎ (2 Bearbeitungen)
  91. Computational Creativity through a Gap‏‎ (2 Bearbeitungen)
  92. Information Immune Systems‏‎ (2 Bearbeitungen)
  93. Sketches by Paul the Robot‏‎ (2 Bearbeitungen)
  94. Animating Persian Floral Patterns‏‎ (2 Bearbeitungen)
  95. Generative and Evolutionary Design in Design Education‏‎ (2 Bearbeitungen)
  96. Gentropy: evolving 2D textures‏‎ (2 Bearbeitungen)
  97. A Mathematical Approach to Obtain Isoperimetric Shapes for D-Form Construction‏‎ (2 Bearbeitungen)
  98. The T. albipennis Sand Painting Artists‏‎ (3 Bearbeitungen)
  99. Evolving Artistic Styles through Visual Dialogues‏‎ (3 Bearbeitungen)
  100. Vismantic: Meaning-making with Images‏‎ (3 Bearbeitungen)

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