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  1. Genetic algorithm-based relevance feedback for image retrieval using local similarity patterns‏‎ (4 Links)
  2. Shahrul Badariah Mat Sah‏‎ (4 Links)
  3. Michael Cook‏‎ (4 Links)
  4. Alejandro Pazos‏‎ (4 Links)
  5. Javier Segovia‏‎ (4 Links)
  6. Joe Faith‏‎ (4 Links)
  7. Toward Greater Artistic Control for Interactive Evolution of Images and Animation‏‎ (4 Links)
  8. Gunnar Tufte‏‎ (4 Links)
  9. Hans E. Dehlinger‏‎ (4 Links)
  10. A Palette-Driven Approach to Image Color Transfer‏‎ (4 Links)
  11. Creative ecosystems‏‎ (4 Links)
  12. Liraz Mor‏‎ (4 Links)
  13. On the Development of Critics in Evolutionary Computation Artists‏‎ (4 Links)
  14. On the Socialization of Evolutionary Art‏‎ (4 Links)
  15. Adaptive Critics for Evolutionary Artists‏‎ (4 Links)
  16. Mario García Valdez‏‎ (4 Links)
  17. Yago Saez‏‎ (4 Links)
  18. Computational Aesthetics 2005‏‎ (4 Links)
  19. Aesthetic Evolution of L-Systems Revisited‏‎ (4 Links)
  20. GenoTyp, an experiment about genetic typography‏‎ (4 Links)
  21. The Problem with Evolutionary Art Is‏‎ (4 Links)
  22. Exploring the Effect of Color Palette in Painterly Rendered Character Sequences‏‎ (4 Links)
  23. The design of high-level features for photo quality assessment‏‎ (4 Links)
  24. Peter M. Hall‏‎ (4 Links)
  25. Conceptualizing Birkhoff's Aesthetic Measure Using Shannon Entropy and Kolmogorov Complexity‏‎ (4 Links)
  26. Phil Husbands‏‎ (4 Links)
  27. Steven Fuchs‏‎ (4 Links)
  28. Gustavo Olague‏‎ (4 Links)
  29. Haru (Hyunkyung) Ji‏‎ (4 Links)
  30. Tristan Basa‏‎ (4 Links)
  31. Nils Svangard‏‎ (4 Links)
  32. Chao Liu‏‎ (4 Links)
  33. Daniel Ashlock‏‎ (4 Links)
  34. Christian Anthony Go‏‎ (4 Links)
  35. Vignesh Kaushik‏‎ (4 Links)
  36. Nuno A. C. Henriques‏‎ (4 Links)
  37. Robot Paintings Evolved Using Simulated Robots‏‎ (4 Links)
  38. Marsha Berry‏‎ (4 Links)
  39. Oscar Sanjuan‏‎ (4 Links)
  40. Ming Chen‏‎ (4 Links)
  41. An IEC-based support system for font design‏‎ (4 Links)
  42. Stayko Chalakov‏‎ (4 Links)
  43. Finding Image Features Associated with High Aesthetic Value by Machine Learning‏‎ (4 Links)
  44. Bill Bigge‏‎ (4 Links)
  45. An improved interactive genetic algorithm incorporating relevant feedback‏‎ (4 Links)
  46. Towards the Development of Artificial Art Critics‏‎ (4 Links)
  47. Katrin Jonas‏‎ (4 Links)
  48. A Platform for Evolving Controllers for Simulated Drawing Robots‏‎ (4 Links)
  49. Kil-Sang Yoo‏‎ (4 Links)
  50. Dave Murray-Rust‏‎ (4 Links)
  51. Arty Shapes‏‎ (4 Links)
  52. Nuno Correia‏‎ (4 Links)
  53. Ludivine Lechat‏‎ (4 Links)
  54. Rocio von Jungenfeld‏‎ (4 Links)
  55. Computational Aesthetics 2007‏‎ (4 Links)
  56. Duncan F. Gillies‏‎ (4 Links)
  57. Azalea Raad‏‎ (4 Links)
  58. Evotype: Evolutionary Type Design‏‎ (4 Links)
  59. All the truth about NEvAr‏‎ (4 Links)
  60. Pedro Isasi‏‎ (4 Links)
  61. Inverse Mapping with Sensitivity Analysis for Partial Selection in Interactive Evolution‏‎ (4 Links)
  62. Computers and Creativity‏‎ (4 Links)
  63. Feature Selection and Novelty in Computational Aesthetics‏‎ (4 Links)
  64. Espen Gangvik‏‎ (4 Links)
  65. Evaluation of Creative Aesthetics‏‎ (4 Links)
  66. Flocks, herds, schools. A distributed behavioural model‏‎ (4 Links)
  67. Tom De Smedt‏‎ (4 Links)
  68. Jônatas Manzolli‏‎ (4 Links)
  69. Henrik Hautop Lund‏‎ (4 Links)
  70. Carlos Cotta‏‎ (4 Links)
  71. Charlie D. Frowd‏‎ (4 Links)
  72. A human-oriented image retrieval system using interactive genetic algorithm‏‎ (4 Links)
  73. Ashley Mills‏‎ (4 Links)
  74. Maciej Troc‏‎ (4 Links)
  75. Designing Metrics for the Purpose of Aesthetically Evaluating‏‎ (4 Links)
  76. Comparing Aesthetic Measures for Evolutionary Art‏‎ (4 Links)
  77. Wim van Eck‏‎ (4 Links)
  78. Martin Perris‏‎ (4 Links)
  79. The Electric Sheep Screen-Saver: A Case Study in Aesthetic Evolution‏‎ (4 Links)
  80. Mauro Annunziato‏‎ (4 Links)
  81. Sketch Based Construction and Rendering of Implicit Models‏‎ (3 Links)
  82. Pedro Martins‏‎ (3 Links)
  83. Enhancements to constrained novelty search: two-population novelty search for generating game content‏‎ (3 Links)
  84. Computers and Creativity: The Road Ahead‏‎ (3 Links)
  85. Fast Techniques for Mosaic Rendering‏‎ (3 Links)
  86. An Image Retrieval Method Based on a Genetic Algorithm‏‎ (3 Links)
  87. Feature selection based-on genetic algorithm for image annotation‏‎ (3 Links)
  88. Tieta Putri‏‎ (3 Links)
  89. Fitness functions for ant colony paintings‏‎ (3 Links)
  90. Tilings of Sequences of Co-evolved Images‏‎ (3 Links)
  91. Andy Song‏‎ (3 Links)
  92. Foundations of Generative Art Systems - a hybrid survey and studio class for graduate students‏‎ (3 Links)
  93. Anna Ursyn‏‎ (3 Links)
  94. Evolution and Collective Intelligence of the Electric Sheep‏‎ (3 Links)
  95. Building The Plotter - an Aesthetic Exploration with Drawing Robots‏‎ (3 Links)
  96. How Self-Similar are Artworks at Different Levels of Spatial Resolution?‏‎ (3 Links)
  97. Rachel Costa‏‎ (3 Links)
  98. Ranking evaluation functions to improve genetic feature selection in content-based image retrieval of mammograms‏‎ (3 Links)
  99. A Visual Language for Darwin‏‎ (3 Links)
  100. Evolutionary Image Synthesis Using a Model of Aesthetics‏‎ (3 Links)
  101. Celtic Knots Colorization based on Color Harmony Principles‏‎ (3 Links)
  102. A comprehensive survey of fitness approximation in evolutionary computation‏‎ (3 Links)
  103. Evolutionary Search for the Artistic Rendering of Photographs‏‎ (3 Links)
  104. Relevance feedback based on genetic programming for image retrieval‏‎ (3 Links)
  105. David Glowacki‏‎ (3 Links)
  106. A novel evolutionary approach for optimizing content-based image indexing algorithms‏‎ (3 Links)
  107. Generation and evaluation of artworks‏‎ (3 Links)
  108. Nuno Lourenço‏‎ (3 Links)
  109. Evolutionary pointillist modules: evolving assemblages of 3D objects‏‎ (3 Links)
  110. Luigi C. Barone‏‎ (3 Links)
  111. On Evolutionary Computer-Generated Art‏‎ (3 Links)
  112. ColourVis: Exploring Colour Usage in Paintings Over Time‏‎ (3 Links)
  113. On the Origins of the Term "Computational Aesthetics"‏‎ (3 Links)
  114. Complexity, Neuroaesthetics, and Computational Aesthetic Evaluation‏‎ (3 Links)
  115. Aesthetic Placement of Points Using Generalized Lloyd Relaxation‏‎ (3 Links)
  116. Mauro Castelli‏‎ (3 Links)
  117. Balancing Act: Variation and Utility in Evolutionary Art‏‎ (3 Links)
  118. Edward Davies‏‎ (3 Links)
  119. Sentient sketchbook: computer-aided game level authoring‏‎ (3 Links)
  120. Aesthetics, Art, Evolution‏‎ (3 Links)
  121. Aidan Breen‏‎ (3 Links)
  122. Patch-Based Geometric Texture Synthesis‏‎ (3 Links)
  123. Sketches by Paul the Robot‏‎ (3 Links)
  124. Computer Generated Stereoscopic Artwork‏‎ (3 Links)
  125. Eons of genetically evolved algorithmic images‏‎ (3 Links)
  126. Fast Visualisation and Interactive Design of Deterministic Fractals‏‎ (3 Links)
  127. Phillip Tew‏‎ (3 Links)
  128. Feature selection based on genetic algorithm for CBIR‏‎ (3 Links)
  129. Pictorial Analysis of Line-drawings‏‎ (3 Links)
  130. Breaking the Pixel Barrier‏‎ (3 Links)
  131. A Shape Grammar Study: Form Generation with Geometric Islamic Patterns‏‎ (3 Links)
  132. Kyrre Glette‏‎ (3 Links)
  133. ArtiE-Fract: The Artist’s Viewpoint‏‎ (3 Links)
  134. Rapid: Rating pictorial aesthetics using deep learning‏‎ (3 Links)
  135. Customizing Aesthetics in Shared Immersive Virtual Environments‏‎ (3 Links)
  136. Realtime Aesthetic Image Retargeting‏‎ (3 Links)
  137. DUOTONE SURFACES: DIVISION OF A CLOSED SURFACE INTO EXACTLY TWO REGIONS‏‎ (3 Links)
  138. Identity SA – an Interactive Swarm-based Animation with a Deformed Reflection‏‎ (3 Links)
  139. Leonardo Vanneschi‏‎ (3 Links)
  140. On Generating Dot Paintings in the Style of Howard Arkley‏‎ (3 Links)
  141. Color Search and Replace‏‎ (3 Links)
  142. Abstract Art from a Model for Cellular Morphogenesis‏‎ (3 Links)
  143. Images from Self-Occlusion‏‎ (3 Links)
  144. What is Complexism? Generative Art and the Cultures of Science and the Humanities‏‎ (3 Links)
  145. Implicit fitness functions for evolving a drawing robot‏‎ (3 Links)
  146. Comparing the Readability of Graph Layouts using Eyetracking and Task-oriented Analysis‏‎ (3 Links)
  147. On understanding the search problem for image spaces‏‎ (3 Links)
  148. Adding Lighting and Viewing Effects to Digital Images‏‎ (3 Links)
  149. Aesthetic Appraisal of Art - from Eye Movements to Computers‏‎ (3 Links)
  150. DrawCompileEvolve: Sparking Interactive Evolutionary Art with Human Creations‏‎ (3 Links)
  151. Aesthetic Video Filter Evolution in an Interactive Real-Time Framework‏‎ (3 Links)
  152. Evolving the shape of things to come: A comparison of direct manipulation and interactive evolutionary design‏‎ (3 Links)
  153. Benford's Law for Natural and Synthetic Images‏‎ (3 Links)
  154. Serial Polar Transformation Motifs Revisited‏‎ (3 Links)
  155. The aMotion Toolkit: Painting with Affective Motion Textures‏‎ (3 Links)
  156. Enhancing Perceived Depth in Images Via Artistic Matting‏‎ (3 Links)
  157. Expressions, Assemblages and Grammars‏‎ (3 Links)
  158. An Efficient Perception-based Adaptive Color to Gray Transformation‏‎ (3 Links)
  159. Computing aesthetics‏‎ (3 Links)
  160. Movie Posters from Video by Example‏‎ (3 Links)
  161. Feedback-guided Stroke Placement for a Painting Machine‏‎ (3 Links)
  162. Jane Burry‏‎ (3 Links)
  163. Stipple Placement using Distance in a Weighted Graph‏‎ (3 Links)
  164. NEvAr – System Overview‏‎ (3 Links)
  165. Toward Auvers Period: Evolution of van Gogh's Style‏‎ (3 Links)
  166. Aneta Neumann‏‎ (3 Links)
  167. Procedural Generation of Surface Detail for Science Fiction Spaceships‏‎ (3 Links)
  168. Rajat Sodhi‏‎ (3 Links)
  169. Learning How to Reinterpret Creative Problems‏‎ (3 Links)
  170. Evolutionary L-systems‏‎ (3 Links)
  171. Daryl D’Souza‏‎ (3 Links)
  172. Line Drawings vs. Curvature Shading: Scientific Illustration of Range Scanned Artefacts‏‎ (3 Links)
  173. Design by Evolution: Advances in Evolutionary Design‏‎ (3 Links)
  174. Automated Daily Production of Evolutionary Audio Visual Art — An Experimental Practice‏‎ (3 Links)
  175. SBArt4 as Automatic Art and Live Performance Tool‏‎ (3 Links)
  176. Color Style Transfer Techniques using Hue, Lightness and Saturation Histogram Matching‏‎ (3 Links)
  177. Abstract Overlays using a Transport Network Model‏‎ (3 Links)
  178. Magnetism and Minimal Surfaces - a Different Tool for Surface Design‏‎ (3 Links)
  179. Accurate and Discernible Photocollages‏‎ (3 Links)
  180. Generative Art after Computers + artwork: TSP Analytics: solver‏‎ (3 Links)
  181. What is Emergence? Generative Murals as Experiments in the Philosophy of Complexity‏‎ (3 Links)
  182. Adaptation of an Autonomous Creative Evolutionary System for Real-World Design Application Based on Creative Cognition‏‎ (3 Links)
  183. Genetic-based approaches in ranking function discovery and optimization in information retrieval – a framework‏‎ (3 Links)
  184. Distinctive Parameters of Expressive Motion‏‎ (3 Links)
  185. Genetic Paint: A Search for Salient Paintings‏‎ (3 Links)
  186. Informational Dialogue with Van Gogh's Paintings‏‎ (3 Links)
  187. Computational Aesthetics 2011‏‎ (3 Links)
  188. Interactive Modeling of Muqarnas‏‎ (3 Links)
  189. Perceptual and Computational Categories in Art‏‎ (3 Links)
  190. The void series – generative art using regulatory genes‏‎ (3 Links)
  191. Isabelle Mahnich‏‎ (3 Links)
  192. Constructing Conceptual Spaces for Novel Associations‏‎ (3 Links)
  193. An Indirect Fitness Scheme for Automated Evolution of Aesthetic Images‏‎ (3 Links)
  194. Multilevel Computational Creativity‏‎ (3 Links)
  195. Probabilistic Decision Making for Interactive Evolution with Sensitivity Analysis‏‎ (3 Links)
  196. Towards automated artificial evolution for computer-generated images‏‎ (3 Links)
  197. Ant Paintings Based on the Seed Foraging Behavior of P. barbatus‏‎ (3 Links)
  198. Hankin’s ‘Polygons in Contact’ Grid Method for Recreating a Decagonal Star Polygon Design‏‎ (3 Links)
  199. Procedural Shading for Architecture: Adoption, Fabrication, and Implications‏‎ (3 Links)
  200. A Painterly Rendering Based on Stroke Profile and Database‏‎ (3 Links)
  201. Kenneth O. Stanley‏‎ (3 Links)
  202. Brush Stroke Ordering Techniques for Painterly Rendering‏‎ (3 Links)
  203. Ramakrishnan Mukundan‏‎ (3 Links)
  204. New Methods to Project Panoramas for Practical and Aesthetic Purposes‏‎ (3 Links)
  205. Curvature-Controlled Aesthetic Curves Using Magnetic Fields‏‎ (3 Links)
  206. Swarms on Stage – Swarm Simulations for Dance Performance‏‎ (3 Links)
  207. Symmetry Hybrids‏‎ (3 Links)
  208. Using complexity estimates in aesthetic image classification‏‎ (3 Links)
  209. Vic Ciesielksi‏‎ (3 Links)
  210. Generating Knitting Patterns from a Sketch: a CSP Approach‏‎ (3 Links)
  211. Image Statistics for Clustering Paintings According to their Visual Appearance‏‎ (3 Links)
  212. Adapting models of visual aesthetics for personalized content creation‏‎ (3 Links)
  213. The Digital Clockwork Muse: A Computational Model of Aesthetic Evolution‏‎ (3 Links)
  214. Zbigniew Michalewicz‏‎ (3 Links)
  215. Aesthetic evolutionary design with data flow networks‏‎ (3 Links)
  216. Computational Color Harmony based on Coloroid System‏‎ (3 Links)
  217. Aesthetics in Covariant Image Reconstruction‏‎ (3 Links)
  218. Elementary Social Interactions and Their Effects on Creativity: A Computational Simulation‏‎ (3 Links)
  219. Simulating artist and critic dynamics - an agent-based application of an evolutionary art system‏‎ (3 Links)
  220. Computational aesthetics based on gaze patterns‏‎ (3 Links)
  221. Morphable guidelines for the human head‏‎ (3 Links)
  222. A Breeding Tool for Abstract Animations and Its Applications‏‎ (3 Links)
  223. An Information-Theoretic Framework for Image Complexity‏‎ (3 Links)
  224. Flattening the Viewable Sphere‏‎ (3 Links)
  225. Studying aesthetics in photographic images using a computational approach‏‎ (3 Links)
  226. Contrast Brushes: Interactive Image Enhancement by Direct Manipulation‏‎ (3 Links)
  227. Power to the critics — A framework for the development of artificial art critics‏‎ (3 Links)
  228. Form Follows Function: Aesthetic Interactive Labels‏‎ (3 Links)
  229. Suggestive Hatching‏‎ (3 Links)
  230. Ant Paintings using a Multiple Pheromone Model‏‎ (3 Links)
  231. Procedural Texture Evolution Using Multiobjective Optimization‏‎ (3 Links)
  232. Francisco Fernández de Vega‏‎ (3 Links)
  233. Random Discrete Colour Sampling‏‎ (3 Links)
  234. Nicolas Monmarche‏‎ (3 Links)
  235. Cycles - Blending Natural and Artificial Properties in a Generative Artwork‏‎ (3 Links)
  236. I. Booij‏‎ (3 Links)
  237. Changjun Hu‏‎ (3 Links)
  238. Using genetic algorithm to improve information retrieval systems‏‎ (3 Links)
  239. Synthesis of sound effects for generative animation‏‎ (3 Links)
  240. Regularity and Randomness in Bridget Riley's early Op Art‏‎ (3 Links)
  241. Generating Op Art Lines‏‎ (3 Links)
  242. Viewpoint Quality: Measures and Applications‏‎ (3 Links)
  243. Luís Pereira‏‎ (3 Links)
  244. On Nonlinear Perspectives in Science, Art and Nature‏‎ (3 Links)
  245. Image retrieval based on multi-feature similarity score fusion using genetic algorithm‏‎ (3 Links)
  246. Watercolor Illustrations of CAD Data‏‎ (3 Links)
  247. Determining an Aesthetic Inscribed Curve‏‎ (3 Links)
  248. Sam D. Verkoelen‏‎ (3 Links)
  249. Generative Art and Evolutionary Refinement‏‎ (3 Links)
  250. Manipulating artificial ecosystems‏‎ (3 Links)

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