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  1. Bridges 2006‏‎ (29 Links)
  2. Konferenzen und Workshops zur Evolutionären Kunst‏‎ (29 Links)
  3. Computational Creativity 2015 ICCC 2015‏‎ (29 Links)
  4. Computational Aesthetics 2014‏‎ (28 Links)
  5. Computational Creativity 2010 ICCC 2010‏‎ (28 Links)
  6. Bridges 2014‏‎ (28 Links)
  7. Computational Creativity 2013 ICCC 2013‏‎ (27 Links)
  8. Personen zur Evolutionären Kunst‏‎ (27 Links)
  9. Dagstuhl Seminar 09291 2009: Computational Creativity: An Interdisciplinary Approach‏‎ (27 Links)
  10. Alan Dorin‏‎ (25 Links)
  11. Matthew Lewis‏‎ (25 Links)
  12. Rob Saunders‏‎ (24 Links)
  13. Craig S. Kaplan‏‎ (23 Links)
  14. Michael O'Neill‏‎ (23 Links)
  15. The Art of Artificial Evolution: A Handbook on Evolutionary Art and Music‏‎ (23 Links)
  16. Bridges 2010‏‎ (23 Links)
  17. Computational Aesthetics 2015‏‎ (22 Links)
  18. Bridges 2005‏‎ (21 Links)
  19. Preference Learning‏‎ (21 Links)
  20. Bridges 2008‏‎ (21 Links)
  21. Bridges 2003‏‎ (21 Links)
  22. Computational Creativity 2016 ICCC 2016‏‎ (20 Links)
  23. Oliver Bown‏‎ (20 Links)
  24. Bridges 2000‏‎ (20 Links)
  25. Bridges 2009‏‎ (20 Links)
  26. João Correia‏‎ (20 Links)
  27. James McDermott‏‎ (19 Links)
  28. Jonathan Byrne‏‎ (18 Links)
  29. Computational Creativity 2011 ICCC 2011‏‎ (17 Links)
  30. Computational Creativity 2012 ICCC 2012‏‎ (17 Links)
  31. Anthony Brabazon‏‎ (17 Links)
  32. Generative Art 2004‏‎ (16 Links)
  33. John Gero‏‎ (16 Links)
  34. Adrian Carballal‏‎ (15 Links)
  35. Generative Art 2007‏‎ (15 Links)
  36. A. E. Eiben‏‎ (14 Links)
  37. EvoMUSART 2015‏‎ (13 Links)
  38. EvoMUSART 2017‏‎ (13 Links)
  39. Eelco den Heijer‏‎ (13 Links)
  40. Generative Art 2006‏‎ (12 Links)
  41. Bridges 2001‏‎ (12 Links)
  42. Generative Art 2010‏‎ (12 Links)
  43. Generative Art 2003‏‎ (11 Links)
  44. Generative Art 2014‏‎ (11 Links)
  45. EvoMUSART 2010‏‎ (11 Links)
  46. Scott Draves‏‎ (11 Links)
  47. Tim Blackwell‏‎ (11 Links)
  48. Generative Art 2000‏‎ (11 Links)
  49. Karen Trist‏‎ (10 Links)
  50. Victor Ciesielski‏‎ (10 Links)
  51. William Latham‏‎ (10 Links)
  52. Adrián Carballal‏‎ (10 Links)
  53. EvoMUSART 2016‏‎ (10 Links)
  54. Bridges 2002‏‎ (10 Links)
  55. Günter Bachelier‏‎ (10 Links)
  56. Amílcar Cardoso‏‎ (10 Links)
  57. Antonino Santos‏‎ (10 Links)
  58. Generative Art 2001‏‎ (10 Links)
  59. Generative Art 2009‏‎ (10 Links)
  60. Steven Bergen‏‎ (9 Links)
  61. Antonios Liapis‏‎ (9 Links)
  62. Bridges 2007‏‎ (9 Links)
  63. Computational Aesthetics 2016‏‎ (9 Links)
  64. Stephen Todd‏‎ (9 Links)
  65. Bill Manaris‏‎ (9 Links)
  66. John Collomosse‏‎ (9 Links)
  67. Jonathan Eisenmann‏‎ (9 Links)
  68. Tiago Martins‏‎ (9 Links)
  69. Embedding of Pixel-Based Evolutionary Algorithms in My Global Art Process‏‎ (9 Links)
  70. EvoMUSART 2012‏‎ (9 Links)
  71. Erik Hemberg‏‎ (9 Links)
  72. Generative Art 2002‏‎ (9 Links)
  73. Paulo Urbano‏‎ (8 Links)
  74. Open Problems in Evolutionary Music and Art‏‎ (8 Links)
  75. Joao Correia‏‎ (8 Links)
  76. Palle Dahlstedt‏‎ (8 Links)
  77. EvoMUSART 2008‏‎ (8 Links)
  78. Christian Jacob‏‎ (8 Links)
  79. Generative Art 2005‏‎ (8 Links)
  80. David Augustus Hart‏‎ (8 Links)
  81. Amilcar Cardoso‏‎ (8 Links)
  82. Paul Brown‏‎ (8 Links)
  83. Mohammad Majid al-Rifaie‏‎ (8 Links)
  84. EvoMUSART 2004‏‎ (8 Links)
  85. Henrique Nunes‏‎ (8 Links)
  86. EvoMUSART 2005‏‎ (8 Links)
  87. EvoMUSART 2013‏‎ (8 Links)
  88. Craig Reynolds‏‎ (7 Links)
  89. Artificial evolution for computer graphics‏‎ (7 Links)
  90. Filipe Assunção‏‎ (7 Links)
  91. Karl Sims‏‎ (7 Links)
  92. Hugo Amaro‏‎ (7 Links)
  93. Evolving Figurative Images Using Expression-Based Evolutionary Art‏‎ (7 Links)
  94. EvoMUSART 2009‏‎ (7 Links)
  95. Maarten H. Lamers‏‎ (7 Links)
  96. Martin Hemberg‏‎ (7 Links)
  97. Michael O’Neill‏‎ (7 Links)
  98. Alice Eldridge‏‎ (7 Links)
  99. Colin G. Johnson‏‎ (7 Links)
  100. Rick Parent‏‎ (7 Links)
  101. Generative Art 2008‏‎ (7 Links)
  102. Exploring a Design Space for Patterns and Tilings Competition 2015‏‎ (7 Links)
  103. Jürgen Schmidhuber‏‎ (7 Links)
  104. Expression-Based Evolution of Faces‏‎ (7 Links)
  105. Bridges 2004‏‎ (7 Links)
  106. Maria Luisa Santos‏‎ (6 Links)
  107. Benjamin Jefferys‏‎ (6 Links)
  108. Vic Ciesielski‏‎ (6 Links)
  109. EvoMUSART 2014‏‎ (6 Links)
  110. Dan Costelloe‏‎ (6 Links)
  111. Evolutionary Visual Art and Design‏‎ (6 Links)
  112. Generative Art 2011‏‎ (6 Links)
  113. Computational Aesthetics 2006‏‎ (6 Links)
  114. Miguel Nicolau‏‎ (6 Links)
  115. Experiments in Computational Aesthetics‏‎ (6 Links)
  116. Yang Li‏‎ (6 Links)
  117. Fernando Graca‏‎ (6 Links)
  118. Anikó Ekárt‏‎ (6 Links)
  119. Evolutionary Art and Computers‏‎ (6 Links)
  120. Generative Art 2012‏‎ (6 Links)
  121. Sebastian Von Mammen‏‎ (6 Links)
  122. Miki Shaw‏‎ (6 Links)
  123. Wettbewerbe zur Evolutionären Kunst‏‎ (6 Links)
  124. Ernesto Costa‏‎ (6 Links)
  125. Lawrence Kelley‏‎ (6 Links)
  126. Digitale Kunst‏‎ (6 Links)
  127. Computational Aesthetics 2008‏‎ (6 Links)
  128. Jeffrey Ventrella‏‎ (6 Links)
  129. Kate Reed‏‎ (6 Links)
  130. Graph-Based Evolution of Visual Languages‏‎ (6 Links)
  131. Picbreeder: A case study in collaborative evolutionary exploration of design space‏‎ (6 Links)
  132. Generative Art 1999‏‎ (6 Links)
  133. EvoMUSART 2011‏‎ (6 Links)
  134. Evolutionäre Kunst‏‎ (6 Links)
  135. Michael Young‏‎ (6 Links)
  136. Walter Daelemans‏‎ (6 Links)
  137. Frederic Fol Leymarie‏‎ (6 Links)
  138. Olga Osorio‏‎ (6 Links)
  139. Interactive evolutionary computation: Fusion of the capabilities of EC optimization and human evaluation‏‎ (6 Links)
  140. Jon Bird‏‎ (6 Links)
  141. Antonio Santos‏‎ (6 Links)
  142. Estanislao Sanmartín‏‎ (5 Links)
  143. A Step Towards the Evolution of Visual Languages‏‎ (5 Links)
  144. Robert Zimmer‏‎ (5 Links)
  145. Sebastian Risi‏‎ (5 Links)
  146. Perry Barile‏‎ (5 Links)
  147. Bridges 1998‏‎ (5 Links)
  148. Evelyne Lutton‏‎ (5 Links)
  149. EvoMUSART 2007‏‎ (5 Links)
  150. Michael Fenton‏‎ (5 Links)
  151. Pedro H. Abreu‏‎ (5 Links)
  152. Facing the Future: Evolutionary Possibilities for Human-Machine Creativity‏‎ (5 Links)
  153. William Ralph‏‎ (5 Links)
  154. Steven Rooke‏‎ (5 Links)
  155. Jonathan Chapuis‏‎ (5 Links)
  156. Bridges 1999‏‎ (5 Links)
  157. Generative Art 2013‏‎ (5 Links)
  158. Elizabeth Shotton‏‎ (5 Links)
  159. Peter Nordin‏‎ (5 Links)
  160. Generative Art 1998‏‎ (5 Links)
  161. Gerald Hushlak‏‎ (5 Links)
  162. Emmanuel Cayla‏‎ (5 Links)
  163. Mohammad Ali Javaheri Javid‏‎ (5 Links)
  164. John Mark Bishop‏‎ (5 Links)
  165. EvoMUSART 2003‏‎ (5 Links)
  166. Kazjon Grace‏‎ (5 Links)
  167. Ciaran McNally‏‎ (5 Links)
  168. Computational Aesthetics 2012‏‎ (5 Links)
  169. Paul Nemirovsky‏‎ (5 Links)
  170. Craig Neufeld‏‎ (5 Links)
  171. Robert W. J. Flack‏‎ (5 Links)
  172. Aesthetic Classification and Sorting Based on Image Compression‏‎ (4 Links)
  173. Computational Aesthetics 2005‏‎ (4 Links)
  174. Evolving three-dimensional objects with a generative encoding inspired by developmental biology‏‎ (4 Links)
  175. Miguel Frade‏‎ (4 Links)
  176. Graham Wakefield‏‎ (4 Links)
  177. Yago Saez‏‎ (4 Links)
  178. Juan Julián Merelo Guervós‏‎ (4 Links)
  179. EvoMUSART 2006‏‎ (4 Links)
  180. The Problem with Evolutionary Art Is‏‎ (4 Links)
  181. Creative ecosystems‏‎ (4 Links)
  182. Toward Greater Artistic Control for Interactive Evolution of Images and Animation‏‎ (4 Links)
  183. Luz Castro‏‎ (4 Links)
  184. On the Development of Critics in Evolutionary Computation Artists‏‎ (4 Links)
  185. On the Socialization of Evolutionary Art‏‎ (4 Links)
  186. Adriano Vinhas‏‎ (4 Links)
  187. Maria Verstappen‏‎ (4 Links)
  188. Oscar Sanjuan‏‎ (4 Links)
  189. Genetic algorithm-based relevance feedback for image retrieval using local similarity patterns‏‎ (4 Links)
  190. Alejandro Pazos‏‎ (4 Links)
  191. Michael Cook‏‎ (4 Links)
  192. Vignesh Kaushik‏‎ (4 Links)
  193. A. K. Qin‏‎ (4 Links)
  194. Peter M. Hall‏‎ (4 Links)
  195. Conceptualizing Birkhoff's Aesthetic Measure Using Shannon Entropy and Kolmogorov Complexity‏‎ (4 Links)
  196. Phil Husbands‏‎ (4 Links)
  197. Janis Jefferies‏‎ (4 Links)
  198. Steven Fuchs‏‎ (4 Links)
  199. NEvAr – the assessment of an evolutionary art tool‏‎ (4 Links)
  200. The design of high-level features for photo quality assessment‏‎ (4 Links)
  201. Francisco Fernández De Vega‏‎ (4 Links)
  202. Nils Svangard‏‎ (4 Links)
  203. Chao Liu‏‎ (4 Links)
  204. Daniel Ashlock‏‎ (4 Links)
  205. Christian Anthony Go‏‎ (4 Links)
  206. Nuno A. C. Henriques‏‎ (4 Links)
  207. Luís Correia‏‎ (4 Links)
  208. Robot Paintings Evolved Using Simulated Robots‏‎ (4 Links)
  209. Achim Menges‏‎ (4 Links)
  210. Tristan Basa‏‎ (4 Links)
  211. Mario García Valdez‏‎ (4 Links)
  212. Aesthetic Evolution of L-Systems Revisited‏‎ (4 Links)
  213. Computational Aesthetics 2007‏‎ (4 Links)
  214. Duncan F. Gillies‏‎ (4 Links)
  215. GenoTyp, an experiment about genetic typography‏‎ (4 Links)
  216. Stayko Chalakov‏‎ (4 Links)
  217. Javier Segovia‏‎ (4 Links)
  218. Bill Bigge‏‎ (4 Links)
  219. Joe Faith‏‎ (4 Links)
  220. Gunnar Tufte‏‎ (4 Links)
  221. A Palette-Driven Approach to Image Color Transfer‏‎ (4 Links)
  222. Hans E. Dehlinger‏‎ (4 Links)
  223. Dave Murray-Rust‏‎ (4 Links)
  224. Liraz Mor‏‎ (4 Links)
  225. Nuno Correia‏‎ (4 Links)
  226. Rocio von Jungenfeld‏‎ (4 Links)
  227. Towards the Development of Artificial Art Critics‏‎ (4 Links)
  228. Adaptive Critics for Evolutionary Artists‏‎ (4 Links)
  229. Marsha Berry‏‎ (4 Links)
  230. Ming Chen‏‎ (4 Links)
  231. Pedro Isasi‏‎ (4 Links)
  232. Exploring the Effect of Color Palette in Painterly Rendered Character Sequences‏‎ (4 Links)
  233. Computers and Creativity‏‎ (4 Links)
  234. Wim van Eck‏‎ (4 Links)
  235. The Electric Sheep Screen-Saver: A Case Study in Aesthetic Evolution‏‎ (4 Links)
  236. Gustavo Olague‏‎ (4 Links)
  237. Haru (Hyunkyung) Ji‏‎ (4 Links)
  238. Carlos Cotta‏‎ (4 Links)
  239. Charlie D. Frowd‏‎ (4 Links)
  240. Tom De Smedt‏‎ (4 Links)
  241. Designing Metrics for the Purpose of Aesthetically Evaluating‏‎ (4 Links)
  242. Comparing Aesthetic Measures for Evolutionary Art‏‎ (4 Links)
  243. Una-May O'Reilly‏‎ (4 Links)
  244. Azalea Raad‏‎ (4 Links)
  245. Computational Aesthetics 2009‏‎ (4 Links)
  246. Eirini Vouliouri‏‎ (4 Links)
  247. Evotype: Evolutionary Type Design‏‎ (4 Links)
  248. Teresa Chambel‏‎ (4 Links)
  249. An IEC-based support system for font design‏‎ (4 Links)
  250. Won-Hyung Lee‏‎ (4 Links)
  251. An improved interactive genetic algorithm incorporating relevant feedback‏‎ (4 Links)
  252. Finding Image Features Associated with High Aesthetic Value by Machine Learning‏‎ (4 Links)
  253. A Platform for Evolving Controllers for Simulated Drawing Robots‏‎ (4 Links)
  254. Katrin Jonas‏‎ (4 Links)
  255. Kil-Sang Yoo‏‎ (4 Links)
  256. Arty Shapes‏‎ (4 Links)
  257. Ludivine Lechat‏‎ (4 Links)
  258. Martin Perris‏‎ (4 Links)
  259. Distance-based relevance feedback using a hybrid interactive genetic algorithm for image retrieval‏‎ (4 Links)
  260. Computational Aesthetics 2010‏‎ (4 Links)
  261. Mauro Annunziato‏‎ (4 Links)
  262. Edward Zajec‏‎ (4 Links)
  263. Patrick Janssen‏‎ (4 Links)
  264. All the truth about NEvAr‏‎ (4 Links)
  265. Visual Liquidizer or Virtual Merge‏‎ (4 Links)
  266. Pedro Torres‏‎ (4 Links)
  267. Inverse Mapping with Sensitivity Analysis for Partial Selection in Interactive Evolution‏‎ (4 Links)
  268. Erwin Driessens‏‎ (4 Links)
  269. Peter van der Putten‏‎ (4 Links)
  270. Feature Selection and Novelty in Computational Aesthetics‏‎ (4 Links)
  271. Espen Gangvik‏‎ (4 Links)
  272. Evaluation of Creative Aesthetics‏‎ (4 Links)
  273. Flocks, herds, schools. A distributed behavioural model‏‎ (4 Links)
  274. Jônatas Manzolli‏‎ (4 Links)
  275. Henrik Hautop Lund‏‎ (4 Links)
  276. A human-oriented image retrieval system using interactive genetic algorithm‏‎ (4 Links)
  277. Daryl D'Souza‏‎ (4 Links)
  278. Ashley Mills‏‎ (4 Links)
  279. Colin Johnson‏‎ (4 Links)
  280. Maciej Troc‏‎ (4 Links)
  281. Computational Aesthetic Evaluation: Past and Future‏‎ (4 Links)
  282. Evolving the Mandelbrot Set to Imitate Figurative Art‏‎ (4 Links)
  283. Allan Campbell‏‎ (4 Links)
  284. Mitchell Whitelaw‏‎ (4 Links)
  285. The Art of Artificial Evolution - book preface‏‎ (4 Links)
  286. Peter J. B. Hancock‏‎ (4 Links)
  287. Jae C. Oh‏‎ (4 Links)
  288. Jingyuan Hu‏‎ (4 Links)
  289. Joyce Wong‏‎ (4 Links)
  290. Brooke Jamieson‏‎ (4 Links)
  291. Rasmus Taarnby‏‎ (4 Links)
  292. Rebeca Perez‏‎ (4 Links)
  293. Leonardo Trujillo‏‎ (4 Links)
  294. David W. Corne‏‎ (4 Links)
  295. Defining Computational Aesthetics‏‎ (4 Links)
  296. Divya Sharma‏‎ (4 Links)
  297. Mathematical building blocks for evolving expressions‏‎ (4 Links)
  298. Using DNA to generate 3D organic art forms‏‎ (4 Links)
  299. Shahrul Badariah Mat Sah‏‎ (4 Links)
  300. Michel Gonçalves‏‎ (4 Links)
  301. Visual deformation by swarm – a technique for virtual liquidization of objects + Visual Liquidizer or Virtual Merge‏‎ (4 Links)
  302. Peter J. Bentley‏‎ (4 Links)
  303. Computing aesthetics with image judgement systems‏‎ (4 Links)
  304. Jinhong Zhang‏‎ (4 Links)
  305. Piero Pierucci‏‎ (4 Links)
  306. Andy Webster‏‎ (4 Links)
  307. Kelly Moylan‏‎ (4 Links)
  308. Chang-Jun Hu‏‎ (4 Links)
  309. Olgierd Unold‏‎ (4 Links)
  310. Luigi Pagliarini‏‎ (4 Links)
  311. Sebastian Hølt Bak‏‎ (3 Links)
  312. Genetic-based approaches in ranking function discovery and optimization in information retrieval – a framework‏‎ (3 Links)
  313. Selective Extraction of Point Sets from Photographs as Starting Events of Generative-Art Line Drawings‏‎ (3 Links)
  314. Informational Dialogue with Van Gogh's Paintings‏‎ (3 Links)
  315. Computational Aesthetics 2013‏‎ (3 Links)
  316. Genetic Paint: A Search for Salient Paintings‏‎ (3 Links)
  317. Using genetic algorithm to improve information retrieval systems‏‎ (3 Links)
  318. Synthesis of sound effects for generative animation‏‎ (3 Links)
  319. Interactive Modeling of Muqarnas‏‎ (3 Links)
  320. Viewpoint Quality: Measures and Applications‏‎ (3 Links)
  321. Computational aesthetics based on gaze patterns‏‎ (3 Links)
  322. An Efficient Perception-based Adaptive Color to Gray Transformation‏‎ (3 Links)
  323. Watercolor Illustrations of CAD Data‏‎ (3 Links)
  324. Expressions, Assemblages and Grammars‏‎ (3 Links)
  325. Movie Posters from Video by Example‏‎ (3 Links)
  326. Jane Burry‏‎ (3 Links)
  327. Feedback-guided Stroke Placement for a Painting Machine‏‎ (3 Links)
  328. NEvAr – System Overview‏‎ (3 Links)
  329. Contrast Brushes: Interactive Image Enhancement by Direct Manipulation‏‎ (3 Links)
  330. Aneta Neumann‏‎ (3 Links)
  331. Studying aesthetics in photographic images using a computational approach‏‎ (3 Links)
  332. Power to the critics — A framework for the development of artificial art critics‏‎ (3 Links)
  333. Suggestive Hatching‏‎ (3 Links)
  334. Procedural Texture Evolution Using Multiobjective Optimization‏‎ (3 Links)
  335. Random Discrete Colour Sampling‏‎ (3 Links)
  336. Learning How to Reinterpret Creative Problems‏‎ (3 Links)
  337. Cycles - Blending Natural and Artificial Properties in a Generative Artwork‏‎ (3 Links)
  338. Nicolas Monmarche‏‎ (3 Links)
  339. Changjun Hu‏‎ (3 Links)
  340. Evolutionary L-systems‏‎ (3 Links)
  341. Regularity and Randomness in Bridget Riley's early Op Art‏‎ (3 Links)
  342. Line Drawings vs. Curvature Shading: Scientific Illustration of Range Scanned Artefacts‏‎ (3 Links)
  343. Automated Daily Production of Evolutionary Audio Visual Art — An Experimental Practice‏‎ (3 Links)
  344. Abstract Overlays using a Transport Network Model‏‎ (3 Links)
  345. On Nonlinear Perspectives in Science, Art and Nature‏‎ (3 Links)
  346. Accurate and Discernible Photocollages‏‎ (3 Links)
  347. Magnetism and Minimal Surfaces - a Different Tool for Surface Design‏‎ (3 Links)
  348. Determining an Aesthetic Inscribed Curve‏‎ (3 Links)
  349. Adaptation of an Autonomous Creative Evolutionary System for Real-World Design Application Based on Creative Cognition‏‎ (3 Links)
  350. Sam D. Verkoelen‏‎ (3 Links)
  351. Generative Art after Computers + artwork: TSP Analytics: solver‏‎ (3 Links)
  352. Composite Digital Mosaics using Duotone Tiles‏‎ (3 Links)
  353. Aesthetic evolutionary design with data flow networks‏‎ (3 Links)
  354. Aesthetics in Covariant Image Reconstruction‏‎ (3 Links)
  355. Partially interactive evolutionary artists‏‎ (3 Links)
  356. Computational Game Creativity‏‎ (3 Links)
  357. The Aesthetics of the Underworld‏‎ (3 Links)
  358. An Indirect Fitness Scheme for Automated Evolution of Aesthetic Images‏‎ (3 Links)
  359. Isabelle Mahnich‏‎ (3 Links)
  360. Multilevel Computational Creativity‏‎ (3 Links)
  361. The Evolution of Artistic Filters‏‎ (3 Links)
  362. Ant Paintings Based on the Seed Foraging Behavior of P. barbatus‏‎ (3 Links)
  363. Supervised Genetic Search for Parameter Selection in Painterly Rendering‏‎ (3 Links)
  364. A Painterly Rendering Based on Stroke Profile and Database‏‎ (3 Links)
  365. Hankin’s ‘Polygons in Contact’ Grid Method for Recreating a Decagonal Star Polygon Design‏‎ (3 Links)
  366. Kenneth O. Stanley‏‎ (3 Links)
  367. Catarina Maçãs‏‎ (3 Links)
  368. Thesis: Accurate and Discernible Photocollages‏‎ (3 Links)
  369. Non-stop Evolutionary Art You are Embedded in‏‎ (3 Links)
  370. Image Statistics for Clustering Paintings According to their Visual Appearance‏‎ (3 Links)
  371. Co-evolutionary Methods in Evolutionary Art‏‎ (3 Links)
  372. Generating Knitting Patterns from a Sketch: a CSP Approach‏‎ (3 Links)
  373. Revising the evolutionary computation abstraction: minimal criteria novelty search‏‎ (3 Links)
  374. Adapting models of visual aesthetics for personalized content creation‏‎ (3 Links)
  375. Generative Art and Evolutionary Refinement‏‎ (3 Links)
  376. Composite diffusion limited aggregation paintings‏‎ (3 Links)
  377. Double Meandering Algorithm‏‎ (3 Links)
  378. Inference and Design in Kuba and Zillij Art with Shape Grammars‏‎ (3 Links)
  379. Evolving images for entertainment‏‎ (3 Links)
  380. Alessandro Re‏‎ (3 Links)
  381. Virtual Photograph Based Saliency Analysis of High Dynamic Range Images‏‎ (3 Links)
  382. Simple Art as Abstractions of Photographs‏‎ (3 Links)
  383. Software zur Evolutionären Kunst‏‎ (3 Links)
  384. Morphable guidelines for the human head‏‎ (3 Links)
  385. A Breeding Tool for Abstract Animations and Its Applications‏‎ (3 Links)
  386. An Information-Theoretic Framework for Image Complexity‏‎ (3 Links)
  387. Philip Cardiff‏‎ (3 Links)
  388. Yasser S. Arenas Rebolledo‏‎ (3 Links)
  389. Straight away on Curved Spaces‏‎ (3 Links)
  390. Flattening the Viewable Sphere‏‎ (3 Links)
  391. The Mutation and growth of Art by Computers‏‎ (3 Links)
  392. Ant Paintings using a Multiple Pheromone Model‏‎ (3 Links)
  393. Form Follows Function: Aesthetic Interactive Labels‏‎ (3 Links)
  394. Nazanin Alsadat Tabatabaei Anaraki‏‎ (3 Links)
  395. R. Nabuurs‏‎ (3 Links)
  396. Francisco Fernández de Vega‏‎ (3 Links)
  397. New directions for evolving expressions‏‎ (3 Links)
  398. I. Booij‏‎ (3 Links)
  399. Nina Rask‏‎ (3 Links)
  400. Thomas Mitchell‏‎ (3 Links)
  401. Generating Op Art Lines‏‎ (3 Links)
  402. Luís Pereira‏‎ (3 Links)
  403. Image retrieval based on multi-feature similarity score fusion using genetic algorithm‏‎ (3 Links)
  404. Color dependent computational aesthetics for evolving expressions‏‎ (3 Links)
  405. Truth to Process – Evolutionary Art and the Aesthetics of Dynamism‏‎ (3 Links)
  406. Combining Structural Analysis and Multi-Objective Criteria for Evolutionary Architectural Design‏‎ (3 Links)
  407. Manipulating artificial ecosystems‏‎ (3 Links)
  408. On the development of evolutionary artificial artists‏‎ (3 Links)
  409. Complexism and the Role of Evolutionary Art‏‎ (3 Links)
  410. In the Eye of the Beholder - Perception of Indeterminate Art‏‎ (3 Links)
  411. Composition Principles for Quality Depiction and Aesthetics‏‎ (3 Links)
  412. Mats G. Nordahl‏‎ (3 Links)
  413. Duotone Surfaces‏‎ (3 Links)
  414. Aesthetics of Hand-Drawn vs. Computer-Generated Stippling‏‎ (3 Links)
  415. Pannini: A New Projection for Rendering Wide Angle Perspective Images‏‎ (3 Links)
  416. Target Curves for Pick-up, Carry, and Drop Mobile Automata‏‎ (3 Links)
  417. Georgios N. Yannakakis‏‎ (3 Links)
  418. Global Contrast Factor - a New Approach to Image Contrast‏‎ (3 Links)
  419. A Case Study from the Point of View of Aesthetics: A Dialogue Between an Artist and a Computer Scientist‏‎ (3 Links)
  420. What is generative art? complexity theory as a context for art theory‏‎ (3 Links)
  421. Philip F. Hingston‏‎ (3 Links)
  422. Mutator: a subjective human interface for evolution of computer sculptures‏‎ (3 Links)
  423. Stigmmetry Prints from Patterns of Circles‏‎ (3 Links)
  424. Zipf’s law, music classification and aesthetics‏‎ (3 Links)
  425. Andrew Bishop‏‎ (3 Links)
  426. Bradley Alexander‏‎ (3 Links)
  427. A Local Search Interface for Interactive Evolutionary Architectural Design‏‎ (3 Links)
  428. Flocking Messengers‏‎ (3 Links)
  429. Julian Togelius‏‎ (3 Links)
  430. Promoting creative design in interactive evolutionary computation‏‎ (3 Links)
  431. Evolution of Architectural Floor Plans‏‎ (3 Links)
  432. Frank Neumann‏‎ (3 Links)
  433. Thoughts on Computational Creativity Position‏‎ (3 Links)
  434. Artificial life or surreal art?‏‎ (3 Links)
  435. Recursive Scene Graphs for Art and Design‏‎ (3 Links)
  436. Evolutionary Methods for Ant Colony Paintings‏‎ (3 Links)
  437. Christoph Klemmt‏‎ (3 Links)
  438. GA2: a Programming Environment for Abstract Generative Fine Art‏‎ (3 Links)
  439. Leticia Cherchiglia‏‎ (3 Links)
  440. Nuno Duarte‏‎ (3 Links)
  441. Abandoning objectives: Evolution through the search for novelty alone‏‎ (3 Links)
  442. Richard Watson‏‎ (3 Links)
  443. Colm O’Riordan‏‎ (3 Links)
  444. Image retrieval using heuristic approach and genetic algorithm‏‎ (3 Links)
  445. Complexity, Neuroaesthetics, and Computational Aesthetic Evaluation‏‎ (3 Links)
  446. Generative Kunst‏‎ (3 Links)
  447. Inadvertent - Ars Accidentalis‏‎ (3 Links)
  448. Edward Davies‏‎ (3 Links)
  449. Sentient sketchbook: computer-aided game level authoring‏‎ (3 Links)
  450. Patch-Based Geometric Texture Synthesis‏‎ (3 Links)
  451. Sketch Based Construction and Rendering of Implicit Models‏‎ (3 Links)
  452. Enhancements to constrained novelty search: two-population novelty search for generating game content‏‎ (3 Links)
  453. Pedro Martins‏‎ (3 Links)
  454. Mohamed Slimane‏‎ (3 Links)
  455. Computers and Creativity: The Road Ahead‏‎ (3 Links)
  456. Extracting the Essence from Sets of Images‏‎ (3 Links)
  457. An Interface for Fitness Function Design‏‎ (3 Links)
  458. Jerome Sheahan‏‎ (3 Links)
  459. Evaluating Visual Aesthetics in Photographic Portraiture‏‎ (3 Links)
  460. Animating Persian Floral Patterns‏‎ (3 Links)
  461. Flocking Orchestra – to play a type of generative music by interaction between human and flocking agents‏‎ (3 Links)
  462. A SHAPE GRAMMAR MODEL TO GENERATE ISLAMIC GEOMETRIC PATTERN‏‎ (3 Links)
  463. Building The Plotter - an Aesthetic Exploration with Drawing Robots‏‎ (3 Links)
  464. Rachel Costa‏‎ (3 Links)
  465. Ranking evaluation functions to improve genetic feature selection in content-based image retrieval of mammograms‏‎ (3 Links)
  466. Celtic Knots Colorization based on Color Harmony Principles‏‎ (3 Links)
  467. Tieta Putri‏‎ (3 Links)
  468. Relevance feedback based on genetic programming for image retrieval‏‎ (3 Links)
  469. David Glowacki‏‎ (3 Links)
  470. Tilings of Sequences of Co-evolved Images‏‎ (3 Links)
  471. Nuno Lourenço‏‎ (3 Links)
  472. On Evolutionary Computer-Generated Art‏‎ (3 Links)
  473. ColourVis: Exploring Colour Usage in Paintings Over Time‏‎ (3 Links)
  474. Evolved Ricochet Compositions‏‎ (3 Links)
  475. On the Origins of the Term "Computational Aesthetics"‏‎ (3 Links)
  476. Manuel Muehlbauer‏‎ (3 Links)
  477. Improving Scans of Black and White photographs by Recovering the Print Maker's Artistic Intent‏‎ (3 Links)
  478. On understanding the search problem for image spaces‏‎ (3 Links)
  479. Aesthetic 3D Model Evolution‏‎ (3 Links)
  480. Aesthetic Measures for Evolutionary Vase Design‏‎ (3 Links)
  481. DrawCompileEvolve: Sparking Interactive Evolutionary Art with Human Creations‏‎ (3 Links)
  482. Evolving Pop Art Using Scalable Vector Graphics‏‎ (3 Links)
  483. Interactive Evolution of Equations for Procedural Models‏‎ (3 Links)
  484. Serial Polar Transformation Motifs Revisited‏‎ (3 Links)
  485. Genr8: Architects’ Experience with an Emergent Design Tool‏‎ (3 Links)
  486. Miri Weiss Cohen‏‎ (3 Links)
  487. Sketches by Paul the Robot‏‎ (3 Links)
  488. Interpretation-driven Visual Association‏‎ (3 Links)
  489. Computer Generated Stereoscopic Artwork‏‎ (3 Links)
  490. Eons of genetically evolved algorithmic images‏‎ (3 Links)
  491. What is Complexism? Generative Art and the Cultures of Science and the Humanities‏‎ (3 Links)
  492. Graph-based evolutionary art‏‎ (3 Links)
  493. Phillip Tew‏‎ (3 Links)
  494. Guest editors’ introduction, Special Issue: Mathematical Models used in Aesthetic Evaluation‏‎ (3 Links)
  495. Jim Smith‏‎ (3 Links)
  496. Pictorial Analysis of Line-drawings‏‎ (3 Links)
  497. André Dias‏‎ (3 Links)
  498. Breaking the Pixel Barrier‏‎ (3 Links)
  499. Josh Bongard‏‎ (3 Links)
  500. How Did Humans Become So Creative? A Computational Approach‏‎ (3 Links)

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