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  1. David Augustus Hart‏‎ (8 Links)
  2. Open Problems in Evolutionary Music and Art‏‎ (8 Links)
  3. Palle Dahlstedt‏‎ (8 Links)
  4. EvoMUSART 2004‏‎ (8 Links)
  5. Amilcar Cardoso‏‎ (8 Links)
  6. EvoMUSART 2005‏‎ (8 Links)
  7. EvoMUSART 2013‏‎ (8 Links)
  8. Craig Reynolds‏‎ (7 Links)
  9. Jürgen Schmidhuber‏‎ (7 Links)
  10. Artificial evolution for computer graphics‏‎ (7 Links)
  11. Filipe Assunção‏‎ (7 Links)
  12. EvoMUSART 2009‏‎ (7 Links)
  13. Evolving Figurative Images Using Expression-Based Evolutionary Art‏‎ (7 Links)
  14. Karl Sims‏‎ (7 Links)
  15. Hugo Amaro‏‎ (7 Links)
  16. Colin G. Johnson‏‎ (7 Links)
  17. Maarten H. Lamers‏‎ (7 Links)
  18. Generative Art 2008‏‎ (7 Links)
  19. Michael O’Neill‏‎ (7 Links)
  20. Exploring a Design Space for Patterns and Tilings Competition 2015‏‎ (7 Links)
  21. Alice Eldridge‏‎ (7 Links)
  22. Rick Parent‏‎ (7 Links)
  23. Martin Hemberg‏‎ (7 Links)
  24. Expression-Based Evolution of Faces‏‎ (7 Links)
  25. Bridges 2004‏‎ (7 Links)
  26. Michael Young‏‎ (6 Links)
  27. EvoMUSART 2014‏‎ (6 Links)
  28. Dan Costelloe‏‎ (6 Links)
  29. Evolutionary Visual Art and Design‏‎ (6 Links)
  30. Olga Osorio‏‎ (6 Links)
  31. Generative Art 2011‏‎ (6 Links)
  32. Interactive evolutionary computation: Fusion of the capabilities of EC optimization and human evaluation‏‎ (6 Links)
  33. Experiments in Computational Aesthetics‏‎ (6 Links)
  34. Jon Bird‏‎ (6 Links)
  35. Fernando Graca‏‎ (6 Links)
  36. Evolutionary Art and Computers‏‎ (6 Links)
  37. Computational Aesthetics 2006‏‎ (6 Links)
  38. Generative Art 2012‏‎ (6 Links)
  39. Antonio Santos‏‎ (6 Links)
  40. Ernesto Costa‏‎ (6 Links)
  41. Benjamin Jefferys‏‎ (6 Links)
  42. Digitale Kunst‏‎ (6 Links)
  43. Walter Daelemans‏‎ (6 Links)
  44. Maria Luisa Santos‏‎ (6 Links)
  45. Miguel Nicolau‏‎ (6 Links)
  46. Anikó Ekárt‏‎ (6 Links)
  47. Computational Aesthetics 2008‏‎ (6 Links)
  48. Miki Shaw‏‎ (6 Links)
  49. Graph-Based Evolution of Visual Languages‏‎ (6 Links)
  50. Lawrence Kelley‏‎ (6 Links)
  51. Vic Ciesielski‏‎ (6 Links)
  52. Generative Art 1999‏‎ (6 Links)
  53. Sebastian Von Mammen‏‎ (6 Links)
  54. Jeffrey Ventrella‏‎ (6 Links)
  55. Kate Reed‏‎ (6 Links)
  56. EvoMUSART 2011‏‎ (6 Links)
  57. Evolutionäre Kunst‏‎ (6 Links)
  58. Yang Li‏‎ (6 Links)
  59. Picbreeder: A case study in collaborative evolutionary exploration of design space‏‎ (6 Links)
  60. Frederic Fol Leymarie‏‎ (6 Links)
  61. Wettbewerbe zur Evolutionären Kunst‏‎ (6 Links)
  62. Estanislao Sanmartín‏‎ (5 Links)
  63. Paul Nemirovsky‏‎ (5 Links)
  64. Bridges 1998‏‎ (5 Links)
  65. Evelyne Lutton‏‎ (5 Links)
  66. EvoMUSART 2007‏‎ (5 Links)
  67. Robert W. J. Flack‏‎ (5 Links)
  68. Facing the Future: Evolutionary Possibilities for Human-Machine Creativity‏‎ (5 Links)
  69. Bridges 1999‏‎ (5 Links)
  70. Robert Zimmer‏‎ (5 Links)
  71. Generative Art 2013‏‎ (5 Links)
  72. A Step Towards the Evolution of Visual Languages‏‎ (5 Links)
  73. Perry Barile‏‎ (5 Links)
  74. Generative Art 1998‏‎ (5 Links)
  75. Sebastian Risi‏‎ (5 Links)
  76. Elizabeth Shotton‏‎ (5 Links)
  77. Michael Fenton‏‎ (5 Links)
  78. Pedro H. Abreu‏‎ (5 Links)
  79. Gerald Hushlak‏‎ (5 Links)
  80. Steven Rooke‏‎ (5 Links)
  81. Jonathan Chapuis‏‎ (5 Links)
  82. Emmanuel Cayla‏‎ (5 Links)
  83. Peter Nordin‏‎ (5 Links)
  84. EvoMUSART 2003‏‎ (5 Links)
  85. Ciaran McNally‏‎ (5 Links)
  86. William Ralph‏‎ (5 Links)
  87. Mohammad Ali Javaheri Javid‏‎ (5 Links)
  88. Craig Neufeld‏‎ (5 Links)
  89. John Mark Bishop‏‎ (5 Links)
  90. Kazjon Grace‏‎ (5 Links)
  91. Computational Aesthetics 2012‏‎ (5 Links)
  92. Evolving three-dimensional objects with a generative encoding inspired by developmental biology‏‎ (4 Links)
  93. Mitchell Whitelaw‏‎ (4 Links)
  94. Peter J. B. Hancock‏‎ (4 Links)
  95. Graham Wakefield‏‎ (4 Links)
  96. Jae C. Oh‏‎ (4 Links)
  97. Jingyuan Hu‏‎ (4 Links)
  98. Joyce Wong‏‎ (4 Links)
  99. Creative ecosystems‏‎ (4 Links)
  100. EvoMUSART 2006‏‎ (4 Links)
  101. Una-May O'Reilly‏‎ (4 Links)
  102. Rasmus Taarnby‏‎ (4 Links)
  103. Allan Campbell‏‎ (4 Links)
  104. Rebeca Perez‏‎ (4 Links)
  105. Leonardo Trujillo‏‎ (4 Links)
  106. Teresa Chambel‏‎ (4 Links)
  107. Computational Aesthetics 2005‏‎ (4 Links)
  108. Won-Hyung Lee‏‎ (4 Links)
  109. Shahrul Badariah Mat Sah‏‎ (4 Links)
  110. Genetic algorithm-based relevance feedback for image retrieval using local similarity patterns‏‎ (4 Links)
  111. Michel Gonçalves‏‎ (4 Links)
  112. Conceptualizing Birkhoff's Aesthetic Measure Using Shannon Entropy and Kolmogorov Complexity‏‎ (4 Links)
  113. Peter J. Bentley‏‎ (4 Links)
  114. Piero Pierucci‏‎ (4 Links)
  115. Jinhong Zhang‏‎ (4 Links)
  116. Kelly Moylan‏‎ (4 Links)
  117. Chao Liu‏‎ (4 Links)
  118. Daniel Ashlock‏‎ (4 Links)
  119. Christian Anthony Go‏‎ (4 Links)
  120. Francisco Fernández De Vega‏‎ (4 Links)
  121. Olgierd Unold‏‎ (4 Links)
  122. Luigi Pagliarini‏‎ (4 Links)
  123. Visual Liquidizer or Virtual Merge‏‎ (4 Links)
  124. Andy Webster‏‎ (4 Links)
  125. Mathematical building blocks for evolving expressions‏‎ (4 Links)
  126. Miguel Frade‏‎ (4 Links)
  127. GenoTyp, an experiment about genetic typography‏‎ (4 Links)
  128. Bill Bigge‏‎ (4 Links)
  129. Aesthetic Classification and Sorting Based on Image Compression‏‎ (4 Links)
  130. Juan Julián Merelo Guervós‏‎ (4 Links)
  131. Dave Murray-Rust‏‎ (4 Links)
  132. Luz Castro‏‎ (4 Links)
  133. On the Development of Critics in Evolutionary Computation Artists‏‎ (4 Links)
  134. The Art of Artificial Evolution - book preface‏‎ (4 Links)
  135. On the Socialization of Evolutionary Art‏‎ (4 Links)
  136. Computational Aesthetics 2007‏‎ (4 Links)
  137. Duncan F. Gillies‏‎ (4 Links)
  138. Michael Cook‏‎ (4 Links)
  139. Computers and Creativity‏‎ (4 Links)
  140. Peter M. Hall‏‎ (4 Links)
  141. Exploring the Effect of Color Palette in Painterly Rendered Character Sequences‏‎ (4 Links)
  142. Phil Husbands‏‎ (4 Links)
  143. Achim Menges‏‎ (4 Links)
  144. Janis Jefferies‏‎ (4 Links)
  145. Steven Fuchs‏‎ (4 Links)
  146. NEvAr – the assessment of an evolutionary art tool‏‎ (4 Links)
  147. Adriano Vinhas‏‎ (4 Links)
  148. Carlos Cotta‏‎ (4 Links)
  149. Alejandro Pazos‏‎ (4 Links)
  150. Charlie D. Frowd‏‎ (4 Links)
  151. Nils Svangard‏‎ (4 Links)
  152. Using DNA to generate 3D organic art forms‏‎ (4 Links)
  153. A. K. Qin‏‎ (4 Links)
  154. Designing Metrics for the Purpose of Aesthetically Evaluating‏‎ (4 Links)
  155. Nuno A. C. Henriques‏‎ (4 Links)
  156. Comparing Aesthetic Measures for Evolutionary Art‏‎ (4 Links)
  157. Robot Paintings Evolved Using Simulated Robots‏‎ (4 Links)
  158. Luís Correia‏‎ (4 Links)
  159. Visual deformation by swarm – a technique for virtual liquidization of objects + Visual Liquidizer or Virtual Merge‏‎ (4 Links)
  160. Maria Verstappen‏‎ (4 Links)
  161. Oscar Sanjuan‏‎ (4 Links)
  162. The Problem with Evolutionary Art Is‏‎ (4 Links)
  163. Evotype: Evolutionary Type Design‏‎ (4 Links)
  164. Stayko Chalakov‏‎ (4 Links)
  165. Javier Segovia‏‎ (4 Links)
  166. Adaptive Critics for Evolutionary Artists‏‎ (4 Links)
  167. Joe Faith‏‎ (4 Links)
  168. Finding Image Features Associated with High Aesthetic Value by Machine Learning‏‎ (4 Links)
  169. Aesthetic Evolution of L-Systems Revisited‏‎ (4 Links)
  170. Toward Greater Artistic Control for Interactive Evolution of Images and Animation‏‎ (4 Links)
  171. Gunnar Tufte‏‎ (4 Links)
  172. Hans E. Dehlinger‏‎ (4 Links)
  173. Liraz Mor‏‎ (4 Links)
  174. Nuno Correia‏‎ (4 Links)
  175. Rocio von Jungenfeld‏‎ (4 Links)
  176. Computational Aesthetics 2009‏‎ (4 Links)
  177. Mario García Valdez‏‎ (4 Links)
  178. A Palette-Driven Approach to Image Color Transfer‏‎ (4 Links)
  179. Yago Saez‏‎ (4 Links)
  180. Eirini Vouliouri‏‎ (4 Links)
  181. Ming Chen‏‎ (4 Links)
  182. Erwin Driessens‏‎ (4 Links)
  183. Pedro Isasi‏‎ (4 Links)
  184. The design of high-level features for photo quality assessment‏‎ (4 Links)
  185. Feature Selection and Novelty in Computational Aesthetics‏‎ (4 Links)
  186. Espen Gangvik‏‎ (4 Links)
  187. Gustavo Olague‏‎ (4 Links)
  188. Evaluation of Creative Aesthetics‏‎ (4 Links)
  189. Flocks, herds, schools. A distributed behavioural model‏‎ (4 Links)
  190. Haru (Hyunkyung) Ji‏‎ (4 Links)
  191. Tristan Basa‏‎ (4 Links)
  192. Daryl D'Souza‏‎ (4 Links)
  193. Colin Johnson‏‎ (4 Links)
  194. Vignesh Kaushik‏‎ (4 Links)
  195. Distance-based relevance feedback using a hybrid interactive genetic algorithm for image retrieval‏‎ (4 Links)
  196. Computational Aesthetics 2010‏‎ (4 Links)
  197. Marsha Berry‏‎ (4 Links)
  198. Edward Zajec‏‎ (4 Links)
  199. Evolving the Mandelbrot Set to Imitate Figurative Art‏‎ (4 Links)
  200. Arty Shapes‏‎ (4 Links)
  201. Brooke Jamieson‏‎ (4 Links)
  202. Azalea Raad‏‎ (4 Links)
  203. Katrin Jonas‏‎ (4 Links)
  204. Towards the Development of Artificial Art Critics‏‎ (4 Links)
  205. Kil-Sang Yoo‏‎ (4 Links)
  206. David W. Corne‏‎ (4 Links)
  207. Defining Computational Aesthetics‏‎ (4 Links)
  208. An IEC-based support system for font design‏‎ (4 Links)
  209. Ludivine Lechat‏‎ (4 Links)
  210. An improved interactive genetic algorithm incorporating relevant feedback‏‎ (4 Links)
  211. Computational Aesthetic Evaluation: Past and Future‏‎ (4 Links)
  212. A Platform for Evolving Controllers for Simulated Drawing Robots‏‎ (4 Links)
  213. Patrick Janssen‏‎ (4 Links)
  214. A human-oriented image retrieval system using interactive genetic algorithm‏‎ (4 Links)
  215. Computing aesthetics with image judgement systems‏‎ (4 Links)
  216. Ashley Mills‏‎ (4 Links)
  217. Pedro Torres‏‎ (4 Links)
  218. Inverse Mapping with Sensitivity Analysis for Partial Selection in Interactive Evolution‏‎ (4 Links)
  219. Peter van der Putten‏‎ (4 Links)
  220. Tom De Smedt‏‎ (4 Links)
  221. Jônatas Manzolli‏‎ (4 Links)
  222. Henrik Hautop Lund‏‎ (4 Links)
  223. Chang-Jun Hu‏‎ (4 Links)
  224. All the truth about NEvAr‏‎ (4 Links)
  225. Maciej Troc‏‎ (4 Links)
  226. Divya Sharma‏‎ (4 Links)
  227. Martin Perris‏‎ (4 Links)
  228. Wim van Eck‏‎ (4 Links)
  229. The Electric Sheep Screen-Saver: A Case Study in Aesthetic Evolution‏‎ (4 Links)
  230. Mauro Annunziato‏‎ (4 Links)
  231. Computational aesthetics based on gaze patterns‏‎ (3 Links)
  232. A comprehensive survey of fitness approximation in evolutionary computation‏‎ (3 Links)
  233. A novel evolutionary approach for optimizing content-based image indexing algorithms‏‎ (3 Links)
  234. Expressions, Assemblages and Grammars‏‎ (3 Links)
  235. Contrast Brushes: Interactive Image Enhancement by Direct Manipulation‏‎ (3 Links)
  236. Tieta Putri‏‎ (3 Links)
  237. Stipple Placement using Distance in a Weighted Graph‏‎ (3 Links)
  238. Tilings of Sequences of Co-evolved Images‏‎ (3 Links)
  239. Feedback-guided Stroke Placement for a Painting Machine‏‎ (3 Links)
  240. Aesthetic Placement of Points Using Generalized Lloyd Relaxation‏‎ (3 Links)
  241. Balancing Act: Variation and Utility in Evolutionary Art‏‎ (3 Links)
  242. Procedural Generation of Surface Detail for Science Fiction Spaceships‏‎ (3 Links)
  243. Aesthetics, Art, Evolution‏‎ (3 Links)
  244. Aidan Breen‏‎ (3 Links)
  245. Cycles - Blending Natural and Artificial Properties in a Generative Artwork‏‎ (3 Links)
  246. Changjun Hu‏‎ (3 Links)
  247. How Self-Similar are Artworks at Different Levels of Spatial Resolution?‏‎ (3 Links)
  248. Rajat Sodhi‏‎ (3 Links)
  249. Evolutionary L-systems‏‎ (3 Links)
  250. An Image Retrieval Method Based on a Genetic Algorithm‏‎ (3 Links)
  251. Determining an Aesthetic Inscribed Curve‏‎ (3 Links)
  252. Luigi C. Barone‏‎ (3 Links)
  253. SBArt4 as Automatic Art and Live Performance Tool‏‎ (3 Links)
  254. Andy Song‏‎ (3 Links)
  255. Anna Ursyn‏‎ (3 Links)
  256. Computational Aesthetics 2013‏‎ (3 Links)
  257. Generative Art after Computers + artwork: TSP Analytics: solver‏‎ (3 Links)
  258. Mauro Castelli‏‎ (3 Links)
  259. Genetic-based approaches in ranking function discovery and optimization in information retrieval – a framework‏‎ (3 Links)
  260. A Visual Language for Darwin‏‎ (3 Links)
  261. Genetic Paint: A Search for Salient Paintings‏‎ (3 Links)
  262. Simulating artist and critic dynamics - an agent-based application of an evolutionary art system‏‎ (3 Links)
  263. Perceptual and Computational Categories in Art‏‎ (3 Links)
  264. Abstract Art from a Model for Cellular Morphogenesis‏‎ (3 Links)
  265. Adding Lighting and Viewing Effects to Digital Images‏‎ (3 Links)
  266. Aesthetic Appraisal of Art - from Eye Movements to Computers‏‎ (3 Links)
  267. Probabilistic Decision Making for Interactive Evolution with Sensitivity Analysis‏‎ (3 Links)
  268. Aesthetic Video Filter Evolution in an Interactive Real-Time Framework‏‎ (3 Links)
  269. Procedural Shading for Architecture: Adoption, Fabrication, and Implications‏‎ (3 Links)
  270. Benford's Law for Natural and Synthetic Images‏‎ (3 Links)
  271. Catarina Maçãs‏‎ (3 Links)
  272. Kyrre Glette‏‎ (3 Links)
  273. Ramakrishnan Mukundan‏‎ (3 Links)
  274. New Methods to Project Panoramas for Practical and Aesthetic Purposes‏‎ (3 Links)
  275. Co-evolutionary Methods in Evolutionary Art‏‎ (3 Links)
  276. Identity SA – an Interactive Swarm-based Animation with a Deformed Reflection‏‎ (3 Links)
  277. Leonardo Vanneschi‏‎ (3 Links)
  278. Generating Knitting Patterns from a Sketch: a CSP Approach‏‎ (3 Links)
  279. Composite Digital Mosaics using Duotone Tiles‏‎ (3 Links)
  280. Images from Self-Occlusion‏‎ (3 Links)
  281. What is Complexism? Generative Art and the Cultures of Science and the Humanities‏‎ (3 Links)
  282. Implicit fitness functions for evolving a drawing robot‏‎ (3 Links)
  283. A Shape Grammar Study: Form Generation with Geometric Islamic Patterns‏‎ (3 Links)
  284. Computational Game Creativity‏‎ (3 Links)
  285. ArtiE-Fract: The Artist’s Viewpoint‏‎ (3 Links)
  286. Interactive Modeling of Muqarnas‏‎ (3 Links)
  287. Evolving images for entertainment‏‎ (3 Links)
  288. The aMotion Toolkit: Painting with Affective Motion Textures‏‎ (3 Links)
  289. Automated Daily Production of Evolutionary Audio Visual Art — An Experimental Practice‏‎ (3 Links)
  290. Movie Posters from Video by Example‏‎ (3 Links)
  291. Abstract Overlays using a Transport Network Model‏‎ (3 Links)
  292. Accurate and Discernible Photocollages‏‎ (3 Links)
  293. Jane Burry‏‎ (3 Links)
  294. Adaptation of an Autonomous Creative Evolutionary System for Real-World Design Application Based on Creative Cognition‏‎ (3 Links)
  295. NEvAr – System Overview‏‎ (3 Links)
  296. Studying aesthetics in photographic images using a computational approach‏‎ (3 Links)
  297. Power to the critics — A framework for the development of artificial art critics‏‎ (3 Links)
  298. Toward Auvers Period: Evolution of van Gogh's Style‏‎ (3 Links)
  299. Suggestive Hatching‏‎ (3 Links)
  300. Flattening the Viewable Sphere‏‎ (3 Links)
  301. Procedural Texture Evolution Using Multiobjective Optimization‏‎ (3 Links)
  302. Form Follows Function: Aesthetic Interactive Labels‏‎ (3 Links)
  303. Random Discrete Colour Sampling‏‎ (3 Links)
  304. Learning How to Reinterpret Creative Problems‏‎ (3 Links)
  305. Nicolas Monmarche‏‎ (3 Links)
  306. Francisco Fernández de Vega‏‎ (3 Links)
  307. An Efficient Perception-based Adaptive Color to Gray Transformation‏‎ (3 Links)
  308. Regularity and Randomness in Bridget Riley's early Op Art‏‎ (3 Links)
  309. Line Drawings vs. Curvature Shading: Scientific Illustration of Range Scanned Artefacts‏‎ (3 Links)
  310. Color dependent computational aesthetics for evolving expressions‏‎ (3 Links)
  311. Combining Structural Analysis and Multi-Objective Criteria for Evolutionary Architectural Design‏‎ (3 Links)
  312. On Nonlinear Perspectives in Science, Art and Nature‏‎ (3 Links)
  313. Generating Op Art Lines‏‎ (3 Links)
  314. Magnetism and Minimal Surfaces - a Different Tool for Surface Design‏‎ (3 Links)
  315. Composite diffusion limited aggregation paintings‏‎ (3 Links)
  316. Sam D. Verkoelen‏‎ (3 Links)
  317. Aneta Neumann‏‎ (3 Links)
  318. Double Meandering Algorithm‏‎ (3 Links)
  319. What is Emergence? Generative Murals as Experiments in the Philosophy of Complexity‏‎ (3 Links)
  320. Sebastian Hølt Bak‏‎ (3 Links)
  321. Generative Art and Evolutionary Refinement‏‎ (3 Links)
  322. Selective Extraction of Point Sets from Photographs as Starting Events of Generative-Art Line Drawings‏‎ (3 Links)
  323. Informational Dialogue with Van Gogh's Paintings‏‎ (3 Links)
  324. Partially interactive evolutionary artists‏‎ (3 Links)
  325. Georgios N. Yannakakis‏‎ (3 Links)
  326. Global Contrast Factor - a New Approach to Image Contrast‏‎ (3 Links)
  327. Isabelle Mahnich‏‎ (3 Links)
  328. The void series – generative art using regulatory genes‏‎ (3 Links)
  329. Bradley Alexander‏‎ (3 Links)
  330. Multilevel Computational Creativity‏‎ (3 Links)
  331. Adapting models of visual aesthetics for personalized content creation‏‎ (3 Links)
  332. Supervised Genetic Search for Parameter Selection in Painterly Rendering‏‎ (3 Links)
  333. Aesthetic evolutionary design with data flow networks‏‎ (3 Links)
  334. Towards automated artificial evolution for computer-generated images‏‎ (3 Links)
  335. Flocking Messengers‏‎ (3 Links)
  336. Hankin’s ‘Polygons in Contact’ Grid Method for Recreating a Decagonal Star Polygon Design‏‎ (3 Links)
  337. Kenneth O. Stanley‏‎ (3 Links)
  338. Aesthetics in Covariant Image Reconstruction‏‎ (3 Links)
  339. Evolution of Architectural Floor Plans‏‎ (3 Links)
  340. Christoph Klemmt‏‎ (3 Links)
  341. Swarms on Stage – Swarm Simulations for Dance Performance‏‎ (3 Links)
  342. Frank Neumann‏‎ (3 Links)
  343. Symmetry Hybrids‏‎ (3 Links)
  344. Using complexity estimates in aesthetic image classification‏‎ (3 Links)
  345. Non-stop Evolutionary Art You are Embedded in‏‎ (3 Links)
  346. Vic Ciesielksi‏‎ (3 Links)
  347. Colm O’Riordan‏‎ (3 Links)
  348. Evolutionary Methods for Ant Colony Paintings‏‎ (3 Links)
  349. An Indirect Fitness Scheme for Automated Evolution of Aesthetic Images‏‎ (3 Links)
  350. GA2: a Programming Environment for Abstract Generative Fine Art‏‎ (3 Links)
  351. Image Statistics for Clustering Paintings According to their Visual Appearance‏‎ (3 Links)
  352. Revising the evolutionary computation abstraction: minimal criteria novelty search‏‎ (3 Links)
  353. Complexism and the Role of Evolutionary Art‏‎ (3 Links)
  354. Composition Principles for Quality Depiction and Aesthetics‏‎ (3 Links)
  355. Ant Paintings Based on the Seed Foraging Behavior of P. barbatus‏‎ (3 Links)
  356. Duotone Surfaces‏‎ (3 Links)
  357. A Painterly Rendering Based on Stroke Profile and Database‏‎ (3 Links)
  358. The Digital Clockwork Muse: A Computational Model of Aesthetic Evolution‏‎ (3 Links)
  359. Zbigniew Michalewicz‏‎ (3 Links)
  360. Enhancements to constrained novelty search: two-population novelty search for generating game content‏‎ (3 Links)
  361. Simple Art as Abstractions of Photographs‏‎ (3 Links)
  362. Computers and Creativity: The Road Ahead‏‎ (3 Links)
  363. Software zur Evolutionären Kunst‏‎ (3 Links)
  364. Morphable guidelines for the human head‏‎ (3 Links)
  365. Philip Cardiff‏‎ (3 Links)
  366. Extracting the Essence from Sets of Images‏‎ (3 Links)
  367. Straight away on Curved Spaces‏‎ (3 Links)
  368. Building The Plotter - an Aesthetic Exploration with Drawing Robots‏‎ (3 Links)
  369. Evaluating Visual Aesthetics in Photographic Portraiture‏‎ (3 Links)
  370. Flocking Orchestra – to play a type of generative music by interaction between human and flocking agents‏‎ (3 Links)
  371. Nazanin Alsadat Tabatabaei Anaraki‏‎ (3 Links)
  372. Celtic Knots Colorization based on Color Harmony Principles‏‎ (3 Links)
  373. R. Nabuurs‏‎ (3 Links)
  374. Alessandro Re‏‎ (3 Links)
  375. New directions for evolving expressions‏‎ (3 Links)
  376. David Glowacki‏‎ (3 Links)
  377. Nina Rask‏‎ (3 Links)
  378. I. Booij‏‎ (3 Links)
  379. Using genetic algorithm to improve information retrieval systems‏‎ (3 Links)
  380. Synthesis of sound effects for generative animation‏‎ (3 Links)
  381. A Breeding Tool for Abstract Animations and Its Applications‏‎ (3 Links)
  382. An Information-Theoretic Framework for Image Complexity‏‎ (3 Links)
  383. Viewpoint Quality: Measures and Applications‏‎ (3 Links)
  384. ColourVis: Exploring Colour Usage in Paintings Over Time‏‎ (3 Links)
  385. Luís Pereira‏‎ (3 Links)
  386. Complexity, Neuroaesthetics, and Computational Aesthetic Evaluation‏‎ (3 Links)
  387. Image retrieval based on multi-feature similarity score fusion using genetic algorithm‏‎ (3 Links)
  388. Watercolor Illustrations of CAD Data‏‎ (3 Links)
  389. Manipulating artificial ecosystems‏‎ (3 Links)
  390. On the development of evolutionary artificial artists‏‎ (3 Links)
  391. Evolved Ricochet Compositions‏‎ (3 Links)
  392. Ant Paintings using a Multiple Pheromone Model‏‎ (3 Links)
  393. Edward Davies‏‎ (3 Links)
  394. Generative Kunst‏‎ (3 Links)
  395. Inference and Design in Kuba and Zillij Art with Shape Grammars‏‎ (3 Links)
  396. Pannini: A New Projection for Rendering Wide Angle Perspective Images‏‎ (3 Links)
  397. Computer Generated Stereoscopic Artwork‏‎ (3 Links)
  398. Artificial life or surreal art?‏‎ (3 Links)
  399. Eons of genetically evolved algorithmic images‏‎ (3 Links)
  400. Genr8: Architects’ Experience with an Emergent Design Tool‏‎ (3 Links)
  401. Abandoning objectives: Evolution through the search for novelty alone‏‎ (3 Links)
  402. Philip F. Hingston‏‎ (3 Links)
  403. Thesis: Accurate and Discernible Photocollages‏‎ (3 Links)
  404. Breaking the Pixel Barrier‏‎ (3 Links)
  405. Graph-based evolutionary art‏‎ (3 Links)
  406. Stigmmetry Prints from Patterns of Circles‏‎ (3 Links)
  407. Mutator: a subjective human interface for evolution of computer sculptures‏‎ (3 Links)
  408. Guest editors’ introduction, Special Issue: Mathematical Models used in Aesthetic Evaluation‏‎ (3 Links)
  409. Julian Togelius‏‎ (3 Links)
  410. Promoting creative design in interactive evolutionary computation‏‎ (3 Links)
  411. Aesthetics of Hand-Drawn vs. Computer-Generated Stippling‏‎ (3 Links)
  412. Customizing Aesthetics in Shared Immersive Virtual Environments‏‎ (3 Links)
  413. DUOTONE SURFACES: DIVISION OF A CLOSED SURFACE INTO EXACTLY TWO REGIONS‏‎ (3 Links)
  414. Recursive Scene Graphs for Art and Design‏‎ (3 Links)
  415. Leticia Cherchiglia‏‎ (3 Links)
  416. A Case Study from the Point of View of Aesthetics: A Dialogue Between an Artist and a Computer Scientist‏‎ (3 Links)
  417. Color Search and Replace‏‎ (3 Links)
  418. Nuno Duarte‏‎ (3 Links)
  419. Richard Watson‏‎ (3 Links)
  420. Comparing the Readability of Graph Layouts using Eyetracking and Task-oriented Analysis‏‎ (3 Links)
  421. Image retrieval using heuristic approach and genetic algorithm‏‎ (3 Links)
  422. The Aesthetics of the Underworld‏‎ (3 Links)
  423. Andrew Bishop‏‎ (3 Links)
  424. A Local Search Interface for Interactive Evolutionary Architectural Design‏‎ (3 Links)
  425. DrawCompileEvolve: Sparking Interactive Evolutionary Art with Human Creations‏‎ (3 Links)
  426. Evolved diffusion limited aggregation compositions‏‎ (3 Links)
  427. In the Eye of the Beholder - Perception of Indeterminate Art‏‎ (3 Links)
  428. The Evolution of Artistic Filters‏‎ (3 Links)
  429. Mats G. Nordahl‏‎ (3 Links)
  430. Evolving Pop Art Using Scalable Vector Graphics‏‎ (3 Links)
  431. Sentient sketchbook: computer-aided game level authoring‏‎ (3 Links)
  432. The Mutation and growth of Art by Computers‏‎ (3 Links)
  433. Enhancing Perceived Depth in Images Via Artistic Matting‏‎ (3 Links)
  434. Patch-Based Geometric Texture Synthesis‏‎ (3 Links)
  435. Computing aesthetics‏‎ (3 Links)
  436. Sketch Based Construction and Rendering of Implicit Models‏‎ (3 Links)
  437. Pedro Martins‏‎ (3 Links)
  438. Mohamed Slimane‏‎ (3 Links)
  439. Thomas Mitchell‏‎ (3 Links)
  440. Jerome Sheahan‏‎ (3 Links)
  441. Fast Techniques for Mosaic Rendering‏‎ (3 Links)
  442. Feature selection based-on genetic algorithm for image annotation‏‎ (3 Links)
  443. Fitness functions for ant colony paintings‏‎ (3 Links)
  444. Truth to Process – Evolutionary Art and the Aesthetics of Dynamism‏‎ (3 Links)
  445. Foundations of Generative Art Systems - a hybrid survey and studio class for graduate students‏‎ (3 Links)
  446. Evolution and Collective Intelligence of the Electric Sheep‏‎ (3 Links)
  447. Rachel Costa‏‎ (3 Links)
  448. Ranking evaluation functions to improve genetic feature selection in content-based image retrieval of mammograms‏‎ (3 Links)
  449. Daryl D’Souza‏‎ (3 Links)
  450. Evolutionary Image Synthesis Using a Model of Aesthetics‏‎ (3 Links)
  451. Relevance feedback based on genetic programming for image retrieval‏‎ (3 Links)
  452. Design by Evolution: Advances in Evolutionary Design‏‎ (3 Links)
  453. Color Style Transfer Techniques using Hue, Lightness and Saturation Histogram Matching‏‎ (3 Links)
  454. Evolutionary Search for the Artistic Rendering of Photographs‏‎ (3 Links)
  455. An Interface for Fitness Function Design‏‎ (3 Links)
  456. Nuno Lourenço‏‎ (3 Links)
  457. Virtual Photograph Based Saliency Analysis of High Dynamic Range Images‏‎ (3 Links)
  458. On Evolutionary Computer-Generated Art‏‎ (3 Links)
  459. Generation and evaluation of artworks‏‎ (3 Links)
  460. Evolutionary pointillist modules: evolving assemblages of 3D objects‏‎ (3 Links)
  461. Distinctive Parameters of Expressive Motion‏‎ (3 Links)
  462. On the Origins of the Term "Computational Aesthetics"‏‎ (3 Links)
  463. Animating Persian Floral Patterns‏‎ (3 Links)
  464. Manuel Muehlbauer‏‎ (3 Links)
  465. Computational Aesthetics 2011‏‎ (3 Links)
  466. Inadvertent - Ars Accidentalis‏‎ (3 Links)
  467. Yasser S. Arenas Rebolledo‏‎ (3 Links)
  468. A SHAPE GRAMMAR MODEL TO GENERATE ISLAMIC GEOMETRIC PATTERN‏‎ (3 Links)
  469. Interactive Evolution of Equations for Procedural Models‏‎ (3 Links)
  470. Serial Polar Transformation Motifs Revisited‏‎ (3 Links)
  471. Artificial Immune System Based Art‏‎ (3 Links)
  472. A generative remixing of music tracks based on an interactive swarm‏‎ (3 Links)
  473. Evolving the shape of things to come: A comparison of direct manipulation and interactive evolutionary design‏‎ (3 Links)
  474. Artistic Canvases for Gestural and Non-linear Typography‏‎ (3 Links)
  475. Miri Weiss Cohen‏‎ (3 Links)
  476. Sketches by Paul the Robot‏‎ (3 Links)
  477. Constructing Conceptual Spaces for Novel Associations‏‎ (3 Links)
  478. Interpretation-driven Visual Association‏‎ (3 Links)
  479. Phillip Tew‏‎ (3 Links)
  480. Thoughts on Computational Creativity Position‏‎ (3 Links)
  481. Pictorial Analysis of Line-drawings‏‎ (3 Links)
  482. Jim Smith‏‎ (3 Links)
  483. Fast Visualisation and Interactive Design of Deterministic Fractals‏‎ (3 Links)
  484. Adaptive image retrieval through the use of a genetic algorithm‏‎ (3 Links)
  485. Feature selection based on genetic algorithm for CBIR‏‎ (3 Links)
  486. Aesthetic 3D Model Evolution‏‎ (3 Links)
  487. Josh Bongard‏‎ (3 Links)
  488. Brush Stroke Ordering Techniques for Painterly Rendering‏‎ (3 Links)
  489. Aesthetic Measures for Evolutionary Vase Design‏‎ (3 Links)
  490. Curvature-Controlled Aesthetic Curves Using Magnetic Fields‏‎ (3 Links)
  491. How Did Humans Become So Creative? A Computational Approach‏‎ (3 Links)
  492. Rapid: Rating pictorial aesthetics using deep learning‏‎ (3 Links)
  493. Realtime Aesthetic Image Retargeting‏‎ (3 Links)
  494. Learning about Shadows from Artists‏‎ (3 Links)
  495. Life's What You Make: Niche Construction and Evolutionary Art‏‎ (3 Links)
  496. Target Curves for Pick-up, Carry, and Drop Mobile Automata‏‎ (3 Links)
  497. On Generating Dot Paintings in the Style of Howard Arkley‏‎ (3 Links)
  498. André Dias‏‎ (3 Links)
  499. Malik Nairat‏‎ (3 Links)
  500. On understanding the search problem for image spaces‏‎ (3 Links)

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